Meaning: The quote by the artist Christo, "Therefore we have to go over the fact that all human beings are afraid by what is new. It is our work to convince them that they will enjoy it, and even if they don't, to allow us just for 14 days to create that work of art," encapsulates the essence of his artistic philosophy. Christo, who was known for his large-scale environmental installations, was keenly aware of the human tendency to fear and resist change. His words reflect his understanding of the challenges involved in introducing new and unconventional art forms to the public.

Christo's statement underscores the fundamental human response to novelty and innovation. The fear of the unknown is a deeply ingrained aspect of human nature. When confronted with something new, individuals often experience a sense of unease or apprehension. This innate resistance to change can pose a significant obstacle for artists and creators seeking to introduce unconventional or avant-garde works to the public.

In this context, Christo acknowledges the responsibility of artists to actively engage with the public in order to overcome this fear of the new. He emphasizes the importance of convincing individuals that they will ultimately derive enjoyment and fulfillment from experiencing the unfamiliar. By doing so, he highlights the role of artists as advocates for their own creations, tasked with persuading audiences to embrace the innovative and the unorthodox.

Moreover, Christo's assertion that, even if individuals do not immediately enjoy a new work of art, they should allow a brief period of time for its impact to unfold, is a testament to his belief in the transformative power of art. He urges audiences to grant artists a temporary window for their creations to resonate and evolve, suggesting that the true value and impact of art may not always be immediately apparent.

Christo's own artistic practice exemplifies his philosophy. Throughout his career, he and his late wife, Jeanne-Claude, created monumental, temporary installations that defied traditional artistic conventions. From wrapping entire buildings in fabric to erecting massive structures in natural landscapes, their projects challenged viewers to confront the unfamiliar and reconsider their perceptions of space, form, and environment.

One of Christo and Jeanne-Claude's most renowned works, "The Gates," involved the installation of 7,503 fabric panels along 23 miles of pathways in New York City's Central Park. Despite initial skepticism and resistance, the project ultimately captivated the public, drawing millions of visitors and igniting discussions about the intersection of art, nature, and public space. Through this and other ambitious undertakings, Christo and Jeanne-Claude demonstrated their commitment to engaging with audiences, addressing their apprehensions, and ultimately transforming public spaces through their artistic vision.

In conclusion, Christo's quote encapsulates his profound understanding of human psychology and the challenges inherent in introducing new and unconventional art to the public. His words underscore the artist's role as a persuader and advocate, tasked with convincing audiences to embrace the unfamiliar and allowing for the potential transformative power of art to unfold. Through his own groundbreaking installations, Christo exemplified the capacity of art to transcend fear and skepticism, inviting audiences to reconsider their perceptions and immerse themselves in the extraordinary.