Meaning: This quote by Montgomery Clift, an esteemed American actor, offers a unique perspective on the nature of acting and the interpretation of Shakespeare's works. Clift's assertion that the line "holding a mirror up to nature" in Shakespeare's plays is wrong, and that a magnifying glass should be used instead, challenges traditional interpretations of the role of art in reflecting reality. In the context of acting, Clift suggests that the actor's task is not to simply replicate reality like a mirror, but rather to amplify and enlarge it in a way that allows the audience to connect with the emotions and experiences being portrayed.

When examining this quote, it is important to consider the context in which it was made. Montgomery Clift was known for his intense and introspective acting style, often delving deep into the emotions of his characters. His approach to acting was not simply about replication, but about exploring the nuances and complexities of human nature. Therefore, it is not surprising that he would challenge the notion of art as a mere reflection of reality.

Clift's analogy of using a magnifying glass instead of a mirror to represent the actor's role in portraying nature is thought-provoking. A mirror reflects things as they are, without alteration or amplification. On the other hand, a magnifying glass can enhance and intensify the details of an object, allowing for a closer and more in-depth examination. In the context of acting, this suggests that the actor's job is not to passively reflect the world, but to actively engage with it, magnifying the emotions and experiences to make them more tangible and relatable to the audience.

Furthermore, Clift's assertion that if art were a mirror, there would be no art, raises questions about the purpose and function of art itself. It challenges the conventional understanding of art as a mere imitation of reality and instead positions it as a transformative and interpretative medium. This aligns with the idea that art is not about replication, but about interpretation and expression.

In the case of Shakespeare's works, the quote prompts a reconsideration of the playwright's intentions. Shakespeare's plays are renowned for their rich and multifaceted characters, complex themes, and profound insights into human nature. Clift's perspective invites us to see Shakespeare not as a mere mirror reflecting the society and human condition of his time, but as a magnifying glass that amplifies and illuminates the intricacies of human experience.

From a broader perspective, Clift's quote can also be interpreted as a commentary on the nature of truth in art. While a mirror may provide a direct reflection of reality, it is limited in its scope and depth. A magnifying glass, however, allows for a closer examination, revealing details and nuances that may not be immediately apparent. In this sense, Clift's analogy can be seen as a call for deeper engagement and interpretation of art, urging audiences and artists alike to look beyond surface-level representations and seek a deeper understanding of the human experience.

In conclusion, Montgomery Clift's quote offers a compelling reimagining of the role of art and acting in relation to nature and reality. His analogy of using a magnifying glass instead of a mirror challenges traditional notions of art as a passive reflection and instead presents it as an active and transformative force. Whether applied to the art of acting, the interpretation of Shakespeare's works, or the broader understanding of truth in art, Clift's perspective invites us to reconsider the ways in which we engage with and interpret the world around us.