It seems to me that in the western world, culture has something to do with appearance. A person that's out creating good stuff has got to appreciate someone when they take the time to have an appearance that goes with what they're doing.

Profession: Musician

Topics: Time, Appearance, Culture, World,

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Meaning: This quote by Ornette Coleman, a renowned jazz musician and composer, encapsulates his perspective on the relationship between culture, creativity, and appearance in the Western world. Coleman, known for his innovative and avant-garde approach to jazz music, offers a unique insight into the significance of appearance in the context of creative expression and cultural appreciation.

In the quote, Coleman suggests that in the Western world, culture is closely tied to appearance. Here, "culture" can be understood as the shared values, customs, and artistic expressions of a particular society or community. Coleman implies that in Western culture, the way individuals present themselves visually is not merely a matter of personal style or aesthetics but is inherently linked to broader cultural norms and expectations.

Furthermore, Coleman highlights the importance of acknowledging and appreciating individuals who align their appearance with their creative endeavors. He emphasizes the value of congruence between one's outward presentation and their creative output, suggesting that a person engaged in "creating good stuff" should recognize and respect the effort that others put into aligning their appearance with their work.

From a cultural standpoint, Coleman's perspective raises thought-provoking questions about the intersection of creativity, identity, and visual representation. It prompts consideration of how individuals within the Western cultural context navigate the relationship between their artistic or professional pursuits and the presentation of their physical selves. Additionally, it invites reflection on the ways in which cultural expectations and societal perceptions influence the way individuals choose to present themselves in creative and professional settings.

In the realm of artistic expression, the quote underscores the idea that appearance can be a form of creative expression in its own right. Just as musicians, visual artists, and writers channel their creativity into their work, the act of curating one's appearance can be seen as a deliberate and meaningful expression of individuality and identity. Coleman's assertion suggests that the visual presentation of oneself is not separate from the act of creating but rather an integral part of the overall creative process.

Moreover, Coleman's words prompt consideration of the role of perception in the appreciation of creative endeavors. He implies that an individual's appearance can influence how their creative work is received and understood by others. The quote suggests that there is a reciprocal relationship between the quality of creative output and the visual representation of the creator, reinforcing the idea that appearance can serve as a gateway to understanding and appreciating the creative contributions of others.

In the context of professional and artistic communities, Coleman's quote encourages a deeper awareness of the interconnectedness of appearance, creativity, and cultural recognition. It invites individuals to consider how they present themselves in relation to their work and how they perceive and respond to the appearance of others within their creative or professional spheres.

In conclusion, Ornette Coleman's quote offers a thought-provoking perspective on the relationship between culture, creativity, and appearance in the Western world. His words prompt reflection on the multifaceted connections between individual expression, cultural expectations, and the recognition of creative endeavors. By highlighting the significance of appearance in the context of cultural appreciation, Coleman challenges us to consider the ways in which visual representation intersects with and enriches our understanding of creativity and cultural expression.

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