Meaning: Tori Amos, an influential and acclaimed musician, made this statement, "For the most part, pianos are female to me. Sometimes they're dykes, and they're always good fun." This quote reflects her personal connection to pianos and her unique perspective on the instrument. Amos has been a prominent figure in the music industry for decades, known for her distinctive voice, emotive songwriting, and exceptional piano skills. Her exploration of gender, sexuality, and identity in her music has often been thought-provoking and has resonated with a diverse audience.

The quote suggests that Amos personifies pianos as female, attributing feminine qualities to the instrument. This could be a reflection of her deep emotional connection to the piano and the way she interacts with it as a musician. By describing pianos as "female," Amos may be expressing the idea that she perceives them as nurturing, expressive, and powerful, qualities often associated with femininity. This perspective offers insight into Amos's creative process and the way she relates to her instrument as a musician.

Amos's use of the term "dykes" to describe pianos may be seen as a provocative and unconventional choice of language. The term "dyke" is historically a derogatory slang term for a lesbian, but it has been reclaimed by some members of the LGBTQ+ community. In this context, Amos may be challenging traditional gender norms and embracing the idea of pianos as non-conforming or defying societal expectations. It's important to note that Amos has been an advocate for LGBTQ+ rights and visibility, and her choice of language may reflect her commitment to pushing boundaries and challenging norms within her art.

Furthermore, the statement "they're always good fun" reflects Amos's positive and playful attitude towards pianos. This lighthearted remark suggests that she finds joy and fulfillment in her musical connection with the instrument. It also highlights the sense of adventure and creativity that Amos experiences when playing the piano, reinforcing the idea that her relationship with music is deeply personal and enjoyable.

Overall, Amos's quote offers a glimpse into her unique perspective on music, gender, and artistic expression. Her ability to personify pianos and attribute human-like qualities to them demonstrates her imaginative and deeply personal approach to her craft. By sharing her thoughts on pianos in this way, Amos invites her audience to consider music and instruments in a new light, encouraging them to explore their own personal connections to creativity and self-expression.

In conclusion, Tori Amos's quote about pianos as female, and sometimes "dykes," provides a thought-provoking insight into her personal relationship with music and the piano. Her words reflect her deep emotional connection to the instrument, her willingness to challenge traditional gender norms, and her playful and adventurous approach to creativity. As a pioneering figure in the music industry, Amos continues to inspire and provoke through her art and her distinctive perspective on music and identity.