Meaning: The quote "Of course, I started really being a comics fan with the underground stuff in the '70s" by Glenn Danzig, a musician known for his work in the bands Misfits and Danzig, reflects his appreciation for underground comics from the 1970s. This quote provides insight into Danzig's personal journey as a comics enthusiast, shedding light on his early influences and the formative period of his fandom.

The 1970s was a pivotal decade for the comic book industry, particularly in the realm of underground or alternative comics. During this time, a countercultural movement emerged, challenging the traditional norms and themes prevalent in mainstream comics. Underground comics, also known as comix, were characterized by their subversive content, tackling taboo subjects such as sexuality, politics, and drug use. These comics often featured independent creators who were unafraid to push boundaries and explore unconventional storytelling techniques.

Danzig's reference to starting as a comics fan with the underground material suggests a departure from the more mainstream and conventional superhero comics that dominated the industry. His embrace of the underground scene speaks to a desire for edgier, more provocative narratives that deviated from the standard fare offered by major publishers. The countercultural ethos of underground comics likely resonated with Danzig, aligning with his own penchant for subversive and dark themes in his music and artistic endeavors.

It's worth noting that the 1970s witnessed the rise of influential underground comic artists and writers, including Robert Crumb, Gilbert Shelton, and Art Spiegelman, among others. These creators played a pivotal role in shaping the landscape of alternative comics, paving the way for a new wave of storytelling that defied conventions and challenged societal norms. Their work, often distributed through small press outlets and independent channels, garnered a dedicated following and left an indelible mark on the medium.

Danzig's statement also underscores the interconnectedness of various art forms, as his musical career has consistently exhibited a fusion of dark, macabre imagery reminiscent of the themes explored in underground comics. The DIY spirit and anti-establishment sentiment prevalent in underground comix may have resonated with Danzig, influencing his artistic sensibilities and contributing to the development of his distinct creative voice.

Moreover, the quote serves as a testament to the enduring impact of underground comics, as their legacy continues to inspire and influence contemporary creators across diverse artistic disciplines. The subversive and boundary-pushing nature of underground comix transcends the temporal confines of the 1970s, leaving an indelible imprint on the evolution of comics as an art form.

In closing, Glenn Danzig's reflection on his early foray into comics as a fan of underground material in the 1970s provides a glimpse into the formative influences that have shaped his artistic perspective. It speaks to the enduring legacy of underground comics and their ability to captivate and inspire individuals across different creative domains, transcending generational boundaries and leaving an indelible mark on the cultural landscape.