Meaning: This quote by Robyn Davidson, an Australian writer, captures her perspective on the evolution of the travel genre in literature. In her observation, she notes that the genre has shifted towards a more commercialized focus, possibly overlooking the depth and richness of travel literature that extends beyond mere commercial appeal. Davidson's assertion prompts a reflection on the changing landscape of travel writing and the potential implications of this shift.

The travel genre has indeed undergone a significant transformation over the years. Traditionally, travel literature encompassed a wide range of narratives, including personal journeys, cultural explorations, and profound encounters with different landscapes and people. These narratives often delved into the complexities of human experiences, offering insights into the diversity of the world and the myriad ways in which individuals interact with their surroundings. Writers like Paul Theroux, Bruce Chatwin, and Jan Morris, among others, contributed to this rich tradition of travel writing, offering readers a deeper understanding of the world beyond their immediate surroundings.

However, as the publishing industry evolved and consumer demands shifted, the commercialization of the travel genre became more pronounced. With the rise of mass tourism and the proliferation of travel guides and blogs, there emerged a growing emphasis on marketable, entertaining narratives that catered to a broader audience. This trend led to the commodification of travel experiences, often prioritizing sensationalism and escapism over the nuanced exploration of cultural and geographical landscapes.

In this context, Davidson's critique of the genre's commercial aspect echoes concerns about the potential dilution of the literary quality and substance of travel writing. By emphasizing the "extraordinarily rich literature" that exists beyond the confines of conventional travel narratives, she invites readers and writers to look beyond the commercialized facade and seek out the profound, thought-provoking works that may not fit neatly into the mainstream travel genre.

Indeed, there exists a wealth of travel-related literature that defies easy categorization and transcends the limitations of commercial expectations. From memoirs and essays to historical accounts and philosophical reflections, the breadth of travel writing encompasses a diverse array of voices and perspectives. These works delve into themes such as displacement, identity, belonging, and the transformative power of travel, offering readers a deeper engagement with the human experience across different cultures and landscapes.

By suggesting that this "extraordinarily rich literature" is "filed everywhere else except under travel," Davidson draws attention to the broader literary landscape where travel themes intersect with other genres and disciplines. This observation encourages a reevaluation of how travel narratives are categorized and perceived, prompting a reconsideration of the boundaries that define travel literature.

In conclusion, Robyn Davidson's quote serves as a poignant reminder of the multifaceted nature of travel writing and the potential consequences of its commercialization. By acknowledging the existence of a vast reservoir of compelling travel literature that may not conform to commercial expectations, she urges readers and writers to seek out and celebrate the diversity and depth of travel narratives that transcend mere entertainment. In doing so, she invites us to rediscover the intrinsic value of travel writing as a means of understanding the world and ourselves in profound and meaningful ways.