Meaning: This quote by Robertson Davies offers an insightful perspective on the distinction between drama and theater. Davies was a Canadian novelist, playwright, and critic known for his keen observations about the world of arts and literature. In this quote, he suggests that drama is the aspect of theatrical art that is most conducive to intellectual discussion, while theater encompasses the broader, more experiential elements of the art form.

Drama, as Davies describes it, is the intellectual core of theatrical art. It is the substance of the performance, the narrative, the characters, and the themes that provoke thought and analysis. When we engage with drama, we are delving into the intricate layers of storytelling, symbolism, and social commentary that are embedded within a theatrical work. It is the aspect of theater that invites us to ponder, interpret, and dissect the deeper meanings and messages conveyed by the performance.

On the other hand, theater, as Davies suggests, encompasses the entirety of the theatrical experience. It includes not only the intellectual aspects of drama but also the sensory, emotional, and communal dimensions of the art form. Theater comprises the visual and auditory spectacle of the performance, the visceral impact of live acting, the emotional resonance of the story, and the shared experience of the audience. It is the totality of the live, in-person encounter with a work of art that transcends mere intellectual analysis.

Davies' distinction between drama and theater prompts us to consider the multifaceted nature of the theatrical experience. While drama provides the intellectual substance that sparks critical discourse and reflection, theater encompasses the holistic experience that engages our senses, emotions, and collective presence as a live audience. Both elements are integral to the richness of the theatrical art form, offering different avenues for engagement and appreciation.

In a broader context, this quote also speaks to the dual nature of art – its capacity to stimulate intellectual inquiry and its power to evoke visceral, emotional responses. It acknowledges that a meaningful artistic experience encompasses both the cerebral engagement with ideas and themes, as well as the immediate, visceral impact of the live performance.

Furthermore, the distinction between drama and theater invites us to consider the varying ways in which individuals engage with and appreciate theatrical art. Some may be drawn to the intellectual stimulation of analyzing and discussing the nuances of a dramatic work, while others may be more attuned to the sensory and emotional immersion of the theatrical experience. Recognizing and valuing these different modes of engagement broadens our understanding of the diverse ways in which art resonates with audiences.

In conclusion, Robertson Davies' quote offers a thought-provoking perspective on the distinction between drama and theater, highlighting the intellectual depth of dramatic art and the immersive, multi-dimensional nature of the theatrical experience. It prompts us to consider the interplay between intellectual discourse and experiential engagement in the realm of theater, enriching our understanding of the complexities and richness of the art form.