Meaning: The quote by Christopher Dawson reflects on the rapid transformation of Western folk myths and heroes into commercialized commodities within the context of Hollywood's influence. Dawson, a British historian and writer, was known for his insightful analysis of cultural and religious history. In this quote, he highlights the swift commercialization and distortion of traditional Western narratives before they could be fully explored and interpreted by poets and artists.

The phrase "the West did not last long enough" suggests that the authentic essence of Western cultural heritage was swiftly overshadowed by commercial interests. Dawson implies that the rich tapestry of Western folk myths and heroes, which had been cherished for generations, was rapidly stripped of its depth and meaning as it was appropriated by the entertainment industry. The phrase "stage properties of Hollywood" conveys the idea that these cultural symbols were reduced to mere props for mass-produced entertainment, devoid of their original significance and complexity.

Dawson's observation underscores the tension between genuine cultural expression and the commercial forces that often distort and exploit it. The rapid commodification of Western folk myths and heroes reflects a broader trend in which traditional narratives and symbols are co-opted by commercial interests, leading to their simplification and trivialization. This process not only diminishes the cultural richness of these narratives but also limits the potential for deeper exploration and interpretation by artists and poets.

The reference to "the poets had begun to get to work on them" suggests that Dawson laments the missed opportunity for creative engagement with these cultural motifs. Poets, as the bearers of literary and artistic traditions, are often tasked with interpreting and revitalizing cultural symbols through their works. However, the swift commercialization of Western folk myths and heroes preempted this creative process, depriving poets and artists of the opportunity to delve into the deeper meanings and nuances of these cultural motifs.

In essence, Dawson's quote serves as a poignant critique of the commercialization and commodification of cultural heritage, particularly within the context of Hollywood's influence. It reflects a broader concern about the erosion of authentic cultural expression in the face of mass-produced entertainment and commercial interests. By highlighting the premature transformation of Western folk myths and heroes into mere "stage properties," Dawson calls attention to the need to safeguard and preserve the integrity of cultural narratives from commercial exploitation.

In conclusion, Christopher Dawson's quote encapsulates a thought-provoking commentary on the rapid commercialization of Western folk myths and heroes, lamenting the missed opportunity for poets and artists to engage with these cultural symbols before they were reduced to mere commodities. His words prompt reflection on the delicate balance between commercial interests and the preservation of cultural authenticity, urging us to consider the implications of mass commodification on the richness and depth of cultural heritage.