There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.

Profession: Musician

Topics: Performance, Want,

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Meaning: This quote by musician Casey Abrams encapsulates the essence of a dynamic and engaging performance. Abrams emphasizes the importance of maintaining a structure and foundation in his performances, likening it to the presence of a backbone or a skeleton. This suggests that there is a framework or a set of guidelines that serve as the basis for his performances. However, he also stresses the need for spontaneity and originality, stating that he never wants to hit the same note twice during a performance. This desire for freshness and unpredictability is driven by his aversion to being bored and his inclination to always push himself to the edge.

In this quote, Casey Abrams provides insight into his approach to performing music, shedding light on the delicate balance between structure and improvisation. His reference to a backbone and a skeleton in the context of performing signifies the necessity of having a solid foundation and a cohesive plan when delivering a performance. Just as the backbone provides support and structure to the body, the framework of a performance serves as a guide for the artist, ensuring that they stay on track and deliver a coherent and intentional experience to the audience.

At the same time, Abrams' assertion that he never wants to hit the same note twice during a performance speaks to the significance of spontaneity and creativity. This mindset aligns with the notion that each performance should be a unique and organic expression of the artist's emotions and energy in that moment. By avoiding repetition and seeking freshness, Abrams aims to keep himself engaged and invested in the music he performs. This commitment to novelty also reflects his desire to keep the audience captivated and surprised, as he endeavors to deliver an experience that is consistently stimulating and unpredictable.

Furthermore, Abrams expresses his preference for performing on the edge, implying that he seeks to push boundaries and take risks during his live shows. This inclination towards embracing the unknown and venturing into uncharted territory underscores his adventurous spirit as a musician. By striving to go out on the edge, Abrams not only challenges himself but also invites the audience to join him in an exhilarating and unscripted journey through music.

Casey Abrams' approach to performance echoes the sentiments of many musicians who aspire to strike a balance between structure and spontaneity. The concept of maintaining a backbone or a skeleton while avoiding the repetition of notes embodies the essence of artistic expression and the pursuit of authenticity. It highlights the dynamic nature of live music, where each performance becomes a fluid and evolving experience that is shaped by both the artist and the audience.

In conclusion, Casey Abrams' quote encapsulates the essence of a captivating and engaging performance, emphasizing the importance of structure, originality, and pushing boundaries. His insights provide valuable perspective on the art of live music and the nuanced balance between maintaining a framework and embracing spontaneity. By striving to keep his performances fresh and engaging while venturing out on the edge, Abrams epitomizes the spirit of a versatile and impassioned musician.

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