Meaning: The quote by actor William Devane provides an interesting perspective on the television show "NYPD Blue" and its classification as a soap opera. Devane suggests that while "NYPD Blue" may share some characteristics with traditional soap operas, it also possesses individualized elements that allow viewers to follow the storyline even if they miss an episode. This observation invites a deeper exploration of the nature of "NYPD Blue" and the evolving definition of soap operas in the context of television programming.

"NYPD Blue" was a groundbreaking police procedural drama that aired from 1993 to 2005. Created by Steven Bochco and David Milch, the series garnered critical acclaim for its gritty portrayal of the lives of police officers in the 15th precinct of New York City. The show's realistic depiction of crime, violence, and the personal lives of its characters set it apart from traditional police dramas, earning it a reputation for pushing the boundaries of television content and storytelling.

Devane's description of "NYPD Blue" as a soap opera may initially seem surprising, as the term "soap opera" is commonly associated with melodramatic daytime serials focused on interpersonal relationships and romantic entanglements. However, Devane's use of the term likely reflects a broader understanding of soap operas as serialized narratives with ongoing storylines and character developments. In this sense, "NYPD Blue" shares certain narrative qualities with traditional soap operas, despite its thematic and tonal differences.

The notion that "NYPD Blue" is individualized to the extent that viewers can follow the storyline even if they miss an episode speaks to the show's commitment to character-driven storytelling and narrative continuity. Unlike episodic procedurals where each episode features a self-contained story, "NYPD Blue" embraced serialized storytelling, with character arcs and ongoing plotlines that unfolded over multiple episodes and seasons. This approach allowed the show to delve into the complexities of its characters' lives and relationships, creating a sense of investment and attachment among viewers.

Furthermore, "NYPD Blue" was known for its nuanced portrayal of the personal struggles and emotional dynamics of its characters, transcending the typical procedural format to explore themes of morality, redemption, and the psychological toll of police work. These elements align with the broader conventions of soap opera storytelling, which often emphasize the intricacies of human emotions and interpersonal conflicts within a serialized framework.

Devane's observation also underscores the evolving nature of television storytelling and audience engagement. In the era of "NYPD Blue," the ability to follow a show's narrative despite occasional missed episodes was a valuable quality, particularly in an era before widespread DVR and on-demand viewing options. The show's balance of episodic resolution and ongoing narrative threads allowed viewers to stay connected to the evolving storylines, contributing to its enduring popularity and cultural impact.

In conclusion, William Devane's characterization of "NYPD Blue" as a soap opera offers a thought-provoking lens through which to consider the show's narrative structure and thematic depth. By acknowledging the individualized nature of the series and its capacity to engage viewers across multiple episodes, Devane highlights the evolving landscape of television storytelling and the nuanced ways in which shows like "NYPD Blue" challenge traditional genre classifications. As television continues to evolve, the legacy of "NYPD Blue" serves as a testament to the enduring power of serialized storytelling and the multi-faceted appeal of the modern television drama.