Meaning: This quote by Charles Dickens, the renowned English novelist, provides an insightful perspective on the art of portrait painting. In his succinct and evocative statement, Dickens categorizes portrait painting into two distinct styles: the serious and the smirk. This classification offers a thought-provoking analysis of the portrayal of human emotions and characteristics in visual art.

The first style mentioned by Dickens is the serious portrait painting. This style typically aims to depict the subject with a sense of gravity, depth, and introspection. Serious portraits often convey a range of emotions, from contemplation and solemnity to resilience and determination. Through the use of subtle expressions, lighting, and composition, serious portrait paintings seek to capture the essence of the individual, revealing their inner thoughts and complexities. Artists who specialize in serious portrait painting often emphasize the depth of human experience and the intricacies of individual psychology.

On the other hand, Dickens contrasts the serious style with the smirk, which represents a more lighthearted and perhaps even superficial approach to portrait painting. The smirk style may emphasize wit, humor, or a playful attitude, often portraying the subject with a hint of amusement or irony. These portraits may capture fleeting moments of levity or convey a sense of satire, challenging traditional notions of solemnity and gravitas in portraiture. The smirk style can be characterized by its emphasis on charm, charisma, and a touch of mischievousness, offering a contrasting interpretation of the human persona.

Dickens' dichotomy between the serious and the smirk styles of portrait painting invites reflection on the nuances of human expression and the diversity of artistic interpretation. It prompts consideration of the artist's intent, the subject's personality, and the viewer's perception. Moreover, this quote underscores the profound impact of artistic choices in conveying emotional depth and narrative complexity within portraiture.

In the realm of art history, Dickens' observation resonates with the evolution of portrait painting across different periods and movements. From the introspective and emotionally charged portraits of the Renaissance, to the aristocratic and grandiose portraits of the Baroque era, and the psychologically probing portraits of the modern age, the serious style has manifested in diverse forms. Similarly, the smirk style finds expression in the playful and satirical portraits of the Rococo period, the avant-garde experiments of the 20th century, and the contemporary explorations of irony and self-awareness in portraiture.

Contemporary artists continue to explore and expand upon Dickens' delineation of portrait painting styles, infusing their work with a wide spectrum of emotions, attitudes, and conceptual frameworks. Through the use of various mediums, techniques, and approaches, artists create portraits that challenge, provoke, and engage viewers, offering multifaceted interpretations of the human experience.

In conclusion, Charles Dickens' quote encapsulates a profound understanding of the dichotomies present in portrait painting. By highlighting the serious and the smirk as the two fundamental styles, Dickens prompts contemplation on the complexities of human expression, artistic interpretation, and the enduring relevance of portraiture in capturing the essence of individuals. This quote serves as a timeless reminder of the rich and diverse nature of portrait painting, inviting viewers and artists alike to explore the multifaceted dimensions of human emotion and personality through the visual arts.