Meaning: This quote by Otto Dix, a German painter and printmaker, reflects an interesting perspective on portraiture and the artistic process. When he mentions that one should not know the subject of the portrait if possible, he is highlighting the idea that an artist's preconceived notions or personal relationships with the subject can potentially influence the portrayal of the individual. This concept raises questions about the role of objectivity and interpretation in art, as well as the relationship between the artist and the subject.

When an artist paints a portrait of someone they know well, there is a risk that their personal feelings, biases, and knowledge of the subject may affect the way they depict the individual. This can lead to a portrayal that is not necessarily true to the subject's essence or character, but rather a reflection of the artist's perceptions and emotions. By distancing oneself from the subject, an artist may be able to approach the portrait with a more neutral and unbiased perspective, allowing for a more authentic and honest representation of the individual.

Furthermore, Dix's statement also suggests that by not knowing the subject, the artist can approach the portrait with a sense of curiosity and discovery. Without preconceived notions or familiarity, the artist is free to observe and interpret the subject in a more open-minded and exploratory manner. This approach may lead to a more nuanced and insightful portrayal, as the artist seeks to understand and capture the essence of the subject through the act of painting.

It's important to note that Dix, as an artist associated with the New Objectivity movement in the early 20th century, was known for his raw and unflinching portrayals of German society during the tumultuous interwar period. His work often depicted the harsh realities of war, social inequality, and the human condition with a sharp and critical eye. In this context, Dix's quote can be seen as a reflection of his artistic philosophy, emphasizing the importance of authenticity and truthfulness in representing the human experience.

In the broader art historical context, Dix's quote resonates with ongoing debates about the nature of portraiture and the relationship between the artist and the subject. Throughout history, artists have grappled with the challenge of capturing the essence of an individual while navigating their own perspectives and biases. From the iconic portraits of the Renaissance, which often aimed to idealize and elevate the sitter, to the modern and contemporary portraits that seek to challenge traditional conventions and explore identity, the act of portraiture has been a complex and multifaceted endeavor.

Ultimately, Dix's quote encourages contemplation on the intricate dynamics at play in the act of portraiture, inviting artists and viewers alike to consider the complexities of representation, perception, and human expression. It serves as a reminder of the responsibility and sensitivity required in capturing the essence of an individual, as well as the enduring power of art to illuminate the depths of human experience.