I have always studied my parts with the orchestral score and not with the piano reduction.

Profession: Musician

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Meaning: Plácido Domingo, a world-renowned operatic tenor and conductor, is known for his dedication to the craft of music and his meticulous approach to learning and performing his roles. The quote, "I have always studied my parts with the orchestral score and not with the piano reduction," provides insight into Domingo's approach to preparing for his performances.

Studying a musical part with the orchestral score rather than the piano reduction indicates a deep understanding of the role within the broader context of the entire orchestral arrangement. This approach allows Domingo to fully grasp the interplay between different instruments, the nuances of the orchestration, and the overall musical structure, rather than relying solely on the piano accompaniment.

Domingo's preference for the orchestral score demonstrates a commitment to musical excellence and a desire to fully immerse himself in the rich tapestry of sound that a full orchestra provides. By studying his parts in this way, he is able to appreciate the intricacies of the composition and the specific interactions between his vocal line and the various instrumental voices.

This approach also reflects Domingo's respect for the collaborative nature of music-making. By familiarizing himself with the orchestral score, he is better equipped to communicate and collaborate effectively with the conductor, instrumentalists, and fellow singers, ensuring a cohesive and unified performance.

Furthermore, studying a part with the orchestral score allows Domingo to develop a deeper understanding of the dramatic and emotional underpinnings of the music. He can discern how his vocal line fits into the broader musical narrative, enabling him to infuse his performance with a heightened sense of artistry and expressiveness.

Domingo's dedication to studying his parts in this manner speaks to his unwavering commitment to musical authenticity and integrity. By delving into the orchestral score, he gains a more comprehensive grasp of the composer's intentions, which ultimately informs his interpretation and delivery of the music.

In the realm of opera, where storytelling and musicality are intricately intertwined, Domingo's approach to studying his parts with the orchestral score underscores his devotion to delivering performances that are not only vocally stunning but also musically and dramatically compelling.

Ultimately, Plácido Domingo's preference for studying his parts with the orchestral score exemplifies his deep reverence for the art of music and his tireless pursuit of musical excellence. It is a testament to his unwavering dedication to his craft and his ceaseless quest to fully understand and embody the music he performs.

In conclusion, Plácido Domingo's quote offers a glimpse into the meticulous and dedicated approach he brings to his musical endeavors. By prioritizing the orchestral score over the piano reduction in his preparation, Domingo demonstrates a commitment to musical authenticity, collaborative artistry, and a deep understanding of the broader musical context. His approach serves as a testament to the depth of his artistry and the profound respect he holds for the composers, fellow musicians, and the rich tapestry of orchestral music.

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