Meaning: This quote by Christopher Durang, a renowned American playwright, offers a unique perspective on the process of pitching ideas. In the quote, Durang juxtaposes the experience of pitching with acting, suggesting that there are moments when he must overcome feelings of resentment in order to fully commit to the pitch, similar to the way an actor commits to a role. This quote provides insight into the emotional and psychological complexities that can be involved in the pitching process and offers a glimpse into Durang's approach to navigating the challenges of presenting his creative work.

Christopher Durang is known for his dark humor and satirical wit, and his plays often explore themes of dysfunctional families, societal absurdity, and the human condition. His work is characterized by its sharp dialogue, unconventional characters, and thought-provoking commentary on contemporary issues. With a career spanning several decades, Durang has established himself as a significant voice in American theater, and his insights into the creative process are valued by aspiring playwrights and performers alike.

The quote "Since I also act, sometimes I get over my resentment and commit to the pitch as an acting job" suggests that Durang approaches the task of pitching with a sense of detachment, drawing on his experience as an actor to navigate the emotional challenges that may arise. The mention of "resentment" implies that Durang may sometimes face reluctance or frustration when it comes to pitching his ideas, perhaps due to past rejections or the vulnerability inherent in presenting one's creative work to others. By likening the act of pitching to an "acting job," Durang acknowledges the performative aspect of the process, highlighting the need to convey conviction and enthusiasm even in the face of internal resistance.

This quote sheds light on the internal conflict that creators often grapple with when presenting their work. The notion of "getting over resentment" implies a conscious effort to set aside negative emotions and approach the pitch with a sense of professionalism and commitment. It speaks to the resilience and determination required to navigate the challenges of the creative industry, where rejection and criticism are commonplace. By acknowledging the parallel between pitching and acting, Durang underscores the performative nature of pitching, where individuals must effectively "sell" their ideas and themselves, much like actors auditioning for a role.

Durang's ability to draw parallels between acting and pitching reflects his keen understanding of the psychological dynamics at play in both realms. As an accomplished playwright and actor, he is uniquely positioned to offer insights into the intersections between creativity, performance, and self-presentation. His willingness to openly discuss the emotional complexities of pitching speaks to the universal nature of the challenges involved, regardless of one's specific creative discipline.

In conclusion, Christopher Durang's quote provides a thought-provoking perspective on the process of pitching ideas and the emotional complexities that can accompany it. By likening pitching to an acting job and acknowledging the need to overcome resentment, Durang offers a glimpse into the psychological nuances of presenting creative work. His words resonate with creators across various artistic fields, offering a reminder of the resilience and determination required to navigate the challenges of sharing one's creative vision with the world.