Meaning: This quote by Danny Elfman, a renowned musician and composer, provides insight into his approach to sound and music production. Elfman's statement reflects the nuanced and complex nature of music production and the importance of balancing different elements to achieve the desired sonic outcome.

In the quote, Elfman expresses his appreciation for both artificial and real sounds, highlighting the fact that each type of sound has its own unique qualities and applications. He acknowledges that there are times when he prefers a "real close sound," indicating a desire for an intimate and authentic sonic experience. This preference for authenticity may stem from a desire to capture the raw emotion and organic texture that real sounds can convey. Real sounds often possess a depth and character that can be challenging to replicate artificially, and Elfman's acknowledgment of this quality speaks to his keen ear for detail and his dedication to achieving a specific sonic vision.

Conversely, Elfman also acknowledges the appeal of artificial sounds, noting that there are occasions when he desires a very specific snare sound that he cannot achieve in a traditional recording environment. This acknowledgment underscores the creative potential of artificial sounds and the ways in which they can be manipulated and crafted to suit the artist's vision. Artificial sounds offer a level of control and precision that may not always be achievable with real instruments or recording techniques, allowing for a broader range of sonic possibilities.

Elfman's statement also hints at the interplay between the recording environment and the sonic characteristics of the sounds being captured. He mentions that he likes a specific snare sound that he "can't get in the big room," alluding to the impact of the physical space on the recording process. This observation underscores the importance of acoustics and environment in shaping the final sonic product. The choice of recording space, whether it be a small, intimate studio or a large, reverberant room, can significantly influence the tonal qualities and spatial characteristics of the recorded sounds. Elfman's recognition of this dynamic highlights the thoughtful consideration that goes into selecting the most suitable recording environment for a given project.

Furthermore, Elfman's statement speaks to the artistry and technical expertise involved in sound production. His ability to discern and articulate the specific qualities of different sounds, as well as his understanding of the technical processes involved in capturing and manipulating those sounds, reflects his deep engagement with the craft of music production. Elfman's remark offers a glimpse into the meticulous attention to detail and sonic aesthetics that underpin his work as a composer and musician.

In conclusion, Danny Elfman's quote encapsulates the multifaceted nature of sound production and the nuanced considerations that inform artistic decision-making in music. His appreciation for both artificial and real sounds, as well as his recognition of the impact of recording environments on sonic characteristics, underscores the complexity and artistry inherent in the pursuit of a desired sonic outcome. Elfman's statement serves as a testament to the depth of thought and creative exploration that underpin the process of shaping and sculpting sound in music production.