Meaning: This quote by David Antin, a renowned poet and performance artist, delves into the relationship between speech and song in the context of modern poetry and music. Antin's exploration of the connection between speech and song is a thought-provoking reflection on the boundaries and intersections of these two forms of expression.

In this quote, Antin expresses his disdain for what is typically considered song in modern poetry and music. This could be interpreted as a critique of the commercialization and standardization of music and poetry in contemporary culture. Antin's aversion to conventional song in modern poetry and music may stem from a desire for artistic authenticity and originality, as well as a rejection of formulaic or superficial approaches to musical and poetic expression.

However, Antin also presents a nuanced perspective by acknowledging that he does not perceive speech as being fundamentally distant from song. This statement suggests that Antin recognizes the potential for a convergence or overlap between speech and song, challenging the traditional boundaries that have been drawn between these forms of communication and artistic expression. By blurring the distinction between speech and song, Antin invites us to reconsider the ways in which we perceive and categorize these modes of communication.

One possible interpretation of Antin's statement is that he views speech as inherently musical in nature, emphasizing the rhythmic and melodic qualities that can be found in spoken language. This perspective aligns with the idea that poetry, at its core, is a form of musical expression, with its own unique cadences, tones, and rhythms. By emphasizing the musicality of speech, Antin encourages us to appreciate the poetic potential of everyday language and the ways in which it can transcend the boundaries of conventional song.

Furthermore, Antin's assertion may also reflect his unconventional approach to poetry and performance. As a pioneer of "talk poetry" or "talking performance," Antin was known for his innovative use of spoken language as a mode of artistic expression. His performances often featured improvised monologues and storytelling, blurring the lines between poetry, storytelling, and performance art. In this context, Antin's view of speech as closely connected to song may be a reflection of his own artistic practice, which emphasizes the musical and performative qualities of spoken language.

Overall, David Antin's quote invites us to reconsider the relationship between speech and song, challenging traditional notions of musical and poetic expression. By questioning the boundaries between these forms of communication and artistic practice, Antin encourages us to explore the potential for innovation and creativity in the intersection of speech and song. His perspective offers valuable insights into the multifaceted nature of language and the ways in which it can be harnessed as a powerful tool for artistic expression and communication.