Meaning:
Arthur Erickson, a renowned Canadian architect, emphasizes the importance of experiencing a building firsthand in order to truly understand its design and impact. In this quote, he asserts that photographs and films are insufficient in capturing the essence and complexity of a building. This notion underscores the immersive nature of architecture and the multifaceted ways in which people interact with the built environment.
Erickson's assertion resonates with the fundamental principles of architectural perception and experience. Architecture is a multidimensional art form that engages not only visual senses but also spatial, tactile, and emotional experiences. When one encounters a building in person, they are able to perceive its scale, materiality, and the interplay of light and shadow in a manner that cannot be fully encapsulated in a static image or a moving picture.
Furthermore, the act of physically navigating through a space allows individuals to appreciate the nuances of its design, such as the sequencing of rooms, the flow of circulation, and the relationship between interior and exterior environments. These experiential elements contribute significantly to the overall perception of a building and are integral to understanding the intentions and ingenuity of the architect.
Erickson's words also highlight the concept of architectural phenomenology, which underscores the significance of human experience and perception in relation to built environments. This philosophical approach emphasizes the subjective experience of space and how individuals interpret and interact with architectural forms. It acknowledges that each person's encounter with a building is unique and influenced by their sensory perceptions, cultural background, and personal associations.
Moreover, the quote alludes to the limitations of representation in capturing the full essence of a building. While photographs and films serve as valuable tools for documenting and sharing architectural works, they are inherently selective and interpretive. They frame the building from specific vantage points, under particular lighting conditions, and through the lens of the photographer or filmmaker's perspective. As a result, they offer only a partial and mediated view of the architectural experience.
Erickson's assertion also underscores the temporal dimension of architecture. Buildings evolve and transform over time, responding to changing environmental conditions, patterns of use, and cultural shifts. The lived experience of a building encompasses its history, present state, and future potential, all of which contribute to its rich and dynamic nature.
In conclusion, Arthur Erickson's quote encapsulates the profound impact of experiencing architecture firsthand and the inherent limitations of representational mediums in fully conveying the essence of a building. It underscores the multisensory, experiential, and subjective nature of architectural perception, emphasizing the need for direct engagement with built environments to comprehend their full significance.