Meaning: Max Ernst, a prominent German artist known for his contributions to the Dada and Surrealist movements, once stated, "Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation." This quote encapsulates Ernst's profound perspective on the purpose and essence of painting, reflecting his belief in the transformative and revelatory power of artistic creation.

Ernst's assertion that painting is not merely "decorative amusement" challenges the notion of art as a superficial or purely aesthetic pursuit. Instead, he emphasizes the significance of painting as a means of expression that transcends mere ornamentation. For Ernst, painting serves a higher purpose, one that extends beyond mere visual pleasure or adornment. By rejecting the idea of art as mere decoration, Ernst positions painting as a vehicle for deeper meaning and exploration.

Furthermore, Ernst's rejection of "the plastic invention of felt reality" suggests a disdain for superficial or contrived representations of the world. He eschews the notion of painting as a mere imitation of reality, emphasizing the need for art to surpass the limitations of the tangible world. In doing so, Ernst advocates for a more profound and imaginative approach to artistic creation, one that delves into the realms of invention and discovery.

The crux of Ernst's philosophy lies in his assertion that painting "must be every time: invention, discovery, revelation." Here, he articulates his belief in the dynamic and transformative nature of art. By emphasizing "invention," Ernst highlights the creative act of bringing something entirely new into existence. This notion of invention aligns with the avant-garde spirit of the Dada and Surrealist movements, in which artists sought to challenge conventional artistic practices and push the boundaries of creativity.

Moreover, Ernst's emphasis on "discovery" speaks to the idea of uncovering hidden truths and unearthing new perspectives through the act of painting. In this sense, painting becomes a process of exploration and revelation, as artists delve into the depths of their subconscious and the unknown, seeking to bring forth elements that transcend conventional reality.

Finally, Ernst's invocation of "revelation" underscores the transformative potential of art to unveil profound insights and truths. Through painting, artists have the capacity to illuminate hidden aspects of existence, offering viewers a glimpse into new and uncharted territories of the mind and the spirit. In this way, Ernst posits painting as a medium through which profound revelations can be communicated, challenging viewers to engage with the world in a deeper and more introspective manner.

In conclusion, Max Ernst's quote encapsulates his belief in the profound and transformative power of painting. By rejecting the notions of art as decorative amusement and the mere imitation of reality, Ernst positions painting as a vehicle for invention, discovery, and revelation. His perspective challenges conventional artistic paradigms, emphasizing the need for art to transcend superficiality and embrace deeper levels of creativity and insight. Through his words, Ernst invites us to reconsider the purpose and potential of painting, urging us to view it as a medium through which profound truths can be unveiled and new realities can be imagined.