Meaning: Rainer Werner Fassbinder, a prolific and influential figure in the world of cinema, made the statement, "I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be." This bold and ambitious quote reflects Fassbinder's desire to leave a lasting and transformative impact on the cinematic landscape, akin to the profound influence of Shakespeare, Marx, and Freud in their respective fields.

Fassbinder's comparison of himself to these towering figures from theater, politics, and psychology is significant in understanding his approach to filmmaking and the impact he aimed to have on the art form. By aligning himself with such influential and revolutionary figures, Fassbinder positioned himself as a disruptor and innovator within the world of cinema, seeking to challenge and redefine established norms and conventions.

Rainer Werner Fassbinder's ambition to be for cinema what Shakespeare was for theatre speaks to his aspiration to create works that would endure and resonate across generations. Shakespeare's impact on theater is characterized by the timeless relevance of his themes and characters, and Fassbinder likely sought to achieve a similar lasting legacy through his films. By invoking Marx's influence on politics, Fassbinder alludes to his desire to infuse his cinematic works with socio-political commentary and critique, aiming to provoke thought and inspire change. Similarly, likening himself to Freud in the realm of psychology suggests Fassbinder's intention to delve into the complexities of human nature and the psyche through his storytelling and character portrayals.

Fassbinder's statement encapsulates his aspiration to disrupt the status quo and challenge conventional cinematic norms. Throughout his career, Fassbinder was known for his provocative and boundary-pushing approach to filmmaking, addressing taboo subjects and societal issues with unflinching honesty. His films often delved into themes of power dynamics, identity, sexuality, and the human condition, reflecting a deep engagement with the complexities of the human experience.

In addition to his thematic explorations, Fassbinder's impact on cinema can also be attributed to his distinctive visual style and innovative storytelling techniques. He experimented with narrative structures, camera work, and editing, contributing to the evolution of cinematic language and storytelling. Fassbinder's willingness to push boundaries and challenge traditional cinematic norms aligns with his ambition to be a transformative figure in the world of cinema.

Furthermore, Fassbinder's comparison of himself to these influential figures highlights his awareness of the potential for art, and specifically cinema, to shape and redefine cultural and societal narratives. By aligning himself with Shakespeare, Marx, and Freud, Fassbinder positioned his work as a force capable of reshaping perceptions, challenging established power structures, and prompting introspection and critical examination of the world around us.

In conclusion, Rainer Werner Fassbinder's statement reflects his ambitious vision to be a transformative force in the world of cinema, akin to the profound impact of Shakespeare, Marx, and Freud in their respective fields. His aspiration to disrupt and redefine cinematic norms, coupled with his thematic explorations and innovative storytelling techniques, solidifies his status as a pioneering figure in the history of cinema. Fassbinder's legacy endures as a testament to his unwavering commitment to pushing the boundaries of art and challenging audiences to confront the complexities of the human experience.