Meaning:
The quote "Any professional knows that the flute and the piano is a boring combination. All you've got to arrive at is a kind of typical gestural crap, right? You might agree, though you wouldn't call it gestural crap." by Morton Feldman, a renowned composer, reflects his unconventional and thought-provoking approach to music composition. Morton Feldman was known for challenging traditional notions of musical structure and instrumentation, and this quote captures his willingness to question established norms in the world of music.
Morton Feldman (1926-1987) was an American composer known for his association with the New York School of composers, which included influential figures such as John Cage and Earle Brown. Feldman's work is characterized by its emphasis on quietness, duration, and open forms, often diverging from the more assertive and structured compositions of his contemporaries.
In the quote, Feldman expresses a dissenting opinion about the flute and piano combination, suggesting that it is inherently uninteresting for a professional musician. His use of the phrase "gestural crap" challenges the conventional wisdom about the musical potential of this pairing, provoking the reader to reconsider their preconceived notions about musical instrumentation and composition.
Feldman's perspective on the flute and piano combination can be seen as a reflection of his broader artistic philosophy, which prioritized exploration and innovation over adherence to established conventions. Throughout his career, he sought to push the boundaries of traditional musical forms and explore new ways of organizing sound and time.
The quote also invites us to consider the subjective nature of artistic judgment. Feldman acknowledges that not everyone may share his view, as evidenced by his statement, "You might agree, though you wouldn't call it gestural crap." This recognition of differing perspectives aligns with Feldman's broader interest in the individual experience of music and the idea that musical meaning is inherently subjective.
It's important to note that Feldman's work often featured unconventional combinations of instruments, and he was known for experimenting with sound textures and timbres in ways that challenged established norms. His compositions often embraced extended durations, allowing listeners to immerse themselves in the subtleties of sound and experience music in a contemplative manner.
In conclusion, Morton Feldman's quote about the flute and piano combination offers a glimpse into his contrarian and exploratory approach to music composition. By questioning the perceived limitations of certain instrumental pairings and challenging traditional notions of musical expression, Feldman invites us to reconsider our assumptions about the potential for innovation and creativity in the world of music. His willingness to provoke and challenge established norms continues to inspire musicians and composers to this day.