Meaning: This quote by Michael Apted, a renowned film director, reflects his perspective on the use of technology in filmmaking. Apted is known for his diverse body of work, which includes both behaviorist films, which emphasize the observation and analysis of human behavior, and other types of films that prioritize aesthetic and visual appeal. In this quote, he discusses the impact of technology on filmmaking and expresses his preference for traditional film as a medium for his particular style of filmmaking.

Apted's reference to "behaviorist films" alludes to a genre or style of filmmaking that focuses on portraying and analyzing human behavior in a realistic and unembellished manner. This approach often involves the use of modern technology and techniques to capture and convey the intricacies of human interaction and psychology. The emphasis on capturing authentic human behavior aligns with the principles of behaviorism, a psychological theory that emphasizes observable actions and reactions.

In contrast, Apted suggests that for his style of filmmaking, which prioritizes aesthetic appeal and visual beauty, traditional film is a more suitable medium. By stating that "doing them on film is much better, because it's more beautiful," Apted highlights his belief in the inherent visual qualities of traditional film as compared to digital technology. This preference implies a reverence for the tactile and organic nature of celluloid film, which he perceives as contributing to the beauty of the images captured.

Apted's assertion that traditional film is "more beautiful" for his kind of films speaks to the subjective nature of aesthetic preferences in filmmaking. While digital technology offers various advantages such as convenience, flexibility, and cost-effectiveness, Apted's appreciation for the visual allure of traditional film reflects a personal affinity for the medium. His assertion underscores the significance of the medium itself in shaping the overall aesthetic and sensory experience of a film, highlighting the interplay between technology and artistic expression.

Furthermore, Apted's viewpoint also touches upon the broader debate within the filmmaking industry regarding the ongoing shift from celluloid film to digital formats. The advent of digital technology has revolutionized the way films are produced, distributed, and exhibited, offering unprecedented opportunities for creativity and accessibility. However, this technological shift has also sparked discussions about the potential loss of the unique qualities and visual richness associated with traditional film.

In the context of his statement, Apted's perspective aligns with the sentiments of filmmakers and cinephiles who value the distinct texture, warmth, and cinematic heritage of celluloid film. The tactile and analog nature of traditional film stock, with its grain structure, color rendition, and dynamic range, contributes to a distinct visual aesthetic that resonates with certain filmmakers and audiences. Apted's preference for traditional film reflects a commitment to preserving and celebrating the artistic traditions and craftsmanship associated with celluloid filmmaking.

In conclusion, Michael Apted's quote encapsulates his perspective on the interplay between technology and artistic expression in filmmaking. By expressing his preference for traditional film in the context of his style of filmmaking, Apted underscores the subjective and nuanced relationship between technology and aesthetic sensibilities. His remarks contribute to the ongoing dialogue surrounding the impact of technological advancements on the visual and artistic aspects of filmmaking, highlighting the enduring significance of traditional film as a medium of choice for certain filmmakers.