Meaning: The quote by Luc Ferrari provides insight into his experience as a composer in the context of the Domaine Musical, a renowned concert series and organization dedicated to contemporary music. In this quote, Ferrari reflects on his initial exclusion from the Domaine Musical and the perceived hierarchy within the contemporary music scene during that time.

The Domaine Musical was a significant platform for contemporary composers, established by Pierre Boulez in Paris in 1954. It played a pivotal role in promoting avant-garde and experimental music, providing a space for the performance and appreciation of works by both established and emerging composers. The series showcased a wide range of musical styles, from serialism to electronic music, and played a crucial role in shaping the landscape of contemporary classical music.

Ferrari's remark suggests a sense of exclusion and marginalization from the Domaine Musical's activities. Despite its reputation as a leading platform for contemporary music, Ferrari felt that he was not considered a "major player" in the scene at that time. This sentiment sheds light on the complex dynamics and power structures within the contemporary music community, where certain composers were privileged and given more visibility and recognition than others.

The quote also highlights the distinction between "old and new" composers' work, indicating a division between established figures and emerging voices within the contemporary music world. Ferrari's recognition of this divide underscores the challenges faced by composers who were not part of the mainstream or dominant trends in contemporary music. It reflects the struggle of many innovative and boundary-pushing artists to gain recognition and acceptance within established institutions and platforms.

Despite Ferrari's initial exclusion from the Domaine Musical, his career as a composer continued to evolve, and he made significant contributions to the development of electroacoustic music and musique concrète. He became known for his pioneering work in incorporating environmental sounds and field recordings into his compositions, a practice that set him apart from many of his contemporaries.

Ferrari's quote serves as a reminder of the importance of acknowledging and supporting diverse voices within the realm of contemporary music. It prompts us to consider the ways in which institutional structures and programming decisions can impact the visibility and opportunities available to different composers. Moreover, it calls attention to the need for inclusivity and openness to a wide range of musical expressions and artistic perspectives within the contemporary music community.

In conclusion, Luc Ferrari's quote offers valuable insights into the dynamics of the contemporary music scene and the challenges faced by composers who may not have been initially embraced by influential institutions such as the Domaine Musical. His experience serves as a compelling example of the complexities and nuances inherent in the world of contemporary music, highlighting the importance of fostering a more inclusive and equitable environment for composers of diverse backgrounds and artistic approaches.