Meaning: This quote by musician Neil Finn reflects a shift in his perspective on collaboration and creative partnerships. Finn is known for his work as a member of the bands Crowded House and Split Enz, as well as his successful solo career. With this quote, he expresses a change in his approach to working with other artists.

In the first part of the quote, Finn acknowledges a previous inclination towards working with his "heroes," likely referring to established and well-known figures in the music industry. This is a common desire among artists, as they often seek to collaborate with those who have inspired and influenced them. Collaborating with musical heroes can be a way to learn from their experience, gain exposure, and create work that is highly respected within the industry. However, Finn's use of the phrase "so much now" suggests a shift in his mindset. He seems to indicate that his interest in working with established figures has waned over time.

The second part of the quote reveals Finn's evolving preference for working with "completely unlikely strangers." This phrase suggests a desire to seek out new and unexpected partnerships, rather than relying on established connections or seeking out those who are already familiar. Finn's use of the word "unlikely" implies a sense of unpredictability and surprise in these potential collaborations. By expressing his attraction to working with "completely unlikely strangers," Finn emphasizes the element of novelty and excitement that comes with engaging with unfamiliar and unexplored creative territory.

Finn's statement reflects a broader trend in the creative industries, where artists are increasingly seeking out diverse and unconventional collaborations. Working with "unlikely strangers" can open up new avenues for creativity, as it introduces fresh perspectives, approaches, and influences into the creative process. This approach can lead to innovative and boundary-pushing work, as it challenges artists to step outside of their comfort zones and engage with different styles, ideas, and experiences.

Furthermore, collaborating with "completely unlikely strangers" can also be a way to foster inclusivity and diversity within the creative community. By actively seeking out partnerships with individuals who may not fit the traditional mold of a "hero" or established figure, artists like Finn can contribute to a more inclusive and representative creative landscape. This can lead to the amplification of voices and perspectives that may have been overlooked or marginalized in the past.

In addition to the creative benefits, working with "completely unlikely strangers" can also present opportunities for personal growth and learning. Engaging with individuals who come from different backgrounds, cultures, and experiences can broaden one's horizons and deepen their understanding of the world. It can also be a way to break down barriers and build connections across diverse communities, fostering a sense of unity and shared humanity through the medium of music and art.

In conclusion, Neil Finn's quote encapsulates a shift in his approach to collaboration, emphasizing a newfound attraction to working with "completely unlikely strangers" over his previous inclination towards working with established "heroes." This shift reflects a broader trend in the creative industries, where artists are increasingly seeking out diverse and unconventional partnerships to spur innovation, promote inclusivity, and foster personal growth. By embracing the excitement and novelty of engaging with unfamiliar collaborators, artists like Finn can continue to push the boundaries of creativity and contribute to a more vibrant and diverse creative landscape.