Meaning: The quote you've provided is from E. M. Forster, a British novelist, essayist, and short story writer. Forster is best known for his novels "A Room with a View," "Howards End," and "A Passage to India." He was a prominent figure in the early 20th century literary scene and was known for his exploration of themes such as class difference, personal relationships, and the clash of cultures.

In this quote, Forster expresses his dissatisfaction with a certain type of play that he has become accustomed to. He criticizes plays that revolve around the dynamics of one man and two women, suggesting that they do not provide him with a complete or fulfilling theatrical experience. Instead, he longs for plays that offer a broader representation of life, encompassing the multiplicity of human experiences and relationships.

Forster's critique can be interpreted in several ways. On one level, he may be expressing a desire for more diverse and complex storytelling in the theater. The traditional love triangle scenario that he refers to, with its focus on romantic entanglements and interpersonal conflicts, may have felt limited to him. He yearns for plays that capture the richness and diversity of human existence, reflecting a wide range of emotions, experiences, and interactions.

Additionally, Forster's critique may also reflect a broader concern with the representation of gender dynamics in theater. The traditional setup of one man and two women in a play often adheres to stereotypical gender roles and power dynamics. Forster's comment suggests a desire for more nuanced and multifaceted portrayals of relationships, challenging the simplistic and predictable patterns that he perceives in such plays.

Furthermore, Forster's emphasis on the "multiplicity of life" in theatrical experiences speaks to the power of art to reflect the complexity and depth of human existence. He seeks plays that engage with the full spectrum of human emotions, conflicts, and connections, ultimately offering a more satisfying and enriching experience for the audience.

In a broader context, Forster's quote can be seen as a call for the expansion of artistic representation and storytelling. He advocates for a more inclusive and expansive approach to theater that encompasses diverse perspectives, voices, and narratives. By rejecting the narrow focus of certain types of plays, Forster champions the idea of theater as a medium that has the potential to capture the full breadth of human experience.

In conclusion, E. M. Forster's quote reflects his dissatisfaction with plays that center on the dynamics of one man and two women, as he believes they fail to provide a complete and fulfilling theatrical experience. He longs for plays that offer a more expansive and diverse representation of life, encompassing the multiplicity of human experiences and relationships. This critique can be viewed as a call for more inclusive and complex storytelling in theater, challenging traditional gender dynamics and advocating for a broader reflection of human existence. Forster's words remind us of the power of art to capture the richness and complexity of life, and the importance of embracing diverse perspectives and narratives in our creative endeavors.