Meaning: Lukas Foss, an American composer, conductor, and pianist, expressed his thoughts on electronic music in the quote, "It is the element I miss in electronic music - no performance, no loving immersion. Maybe that is why I was never particularly drawn to electronic music." This quote reflects Foss's perspective on the absence of live performance and emotional connection in electronic music, which has influenced his personal preference for other musical genres.

Foss's remark highlights a fundamental distinction between electronic music and traditional forms of music that rely on live performance and human expression. Electronic music is often created and produced using electronic devices and technology, with minimal or no direct physical performance by musicians. This lack of live performance can result in a perceived absence of emotional depth and personal connection, which may be a crucial aspect for Foss and other musicians who value the immersive experience of live music making.

Foss's reference to "loving immersion" suggests his appreciation for the intimate and emotional engagement that is often associated with live musical performances. In a live setting, musicians have the opportunity to convey their emotions and connect with the audience through their physical presence, expressions, and interactions. The shared experience of witnessing a live performance can create a profound sense of connection and artistry that may be absent in electronic music production.

Furthermore, Foss's statement reflects a personal preference that aligns with his own musical background and experiences. As a classically trained composer and conductor, Foss likely has a deep appreciation for the traditions and expressive capabilities of acoustic instruments and live ensembles. His exposure to the rich history of classical music and the dynamic interplay of performers in orchestral settings may have influenced his perspective on electronic music as a less immersive and emotionally resonant form of musical expression.

It is important to note that Foss's viewpoint is not universally applicable, as electronic music encompasses a wide range of styles and approaches, and its impact and significance in contemporary music culture are undeniable. Electronic music has evolved as a distinct and influential genre, embracing innovative techniques, sound manipulation, and sonic experimentation that have shaped the musical landscape in profound ways.

In recent decades, electronic music has expanded its reach and appeal, finding its place in diverse musical contexts, including live performances, festivals, and collaborative projects that integrate electronic elements with traditional instrumentation and vocals. Artists and producers within the electronic music community have continuously pushed the boundaries of creativity and performance, incorporating visual elements, interactive technologies, and immersive environments to enhance the live experience and emotional resonance of their music.

As technology continues to advance, the boundaries between electronic and traditional music are becoming increasingly blurred, leading to new possibilities for artistic expression and sonic exploration. The integration of electronic elements in live performances and the use of electronic instruments alongside acoustic ones have opened up new avenues for musical innovation and cross-genre collaborations, challenging preconceived notions about the limitations of electronic music in conveying emotional depth and human connection.

In conclusion, Lukas Foss's quote reflects his personal perspective on electronic music, emphasizing the absence of live performance and loving immersion as factors that have influenced his preference for other musical genres. While his viewpoint sheds light on the significance of live musical expression and emotional connection, it is essential to recognize the diverse and evolving nature of electronic music, as well as its potential for artistic innovation and immersive experiences in contemporary music culture.