Meaning: The quote by Robert Frank, a renowned photographer, reflects his awareness of the subjective nature of photography and the inevitable influence of the photographer's perspective on the captured subject matter. Frank acknowledges the accusations of deliberately twisting subject matter to his point of view, indicating a self-awareness of his own interpretation and representation of reality through his photographs. He emphasizes the idea that life for a photographer cannot be a matter of indifference, highlighting the profound impact of the photographer's emotions, beliefs, and experiences on the creation of photographic art.

In the first part of the quote, Frank addresses the criticism he has faced regarding his approach to capturing subject matter. The accusation of deliberately twisting subject matter to his point of view suggests that his photographs are perceived as subjective interpretations rather than objective representations of reality. This aspect of subjectivity is inherent in photography, as the photographer's choices regarding composition, framing, lighting, and timing all contribute to the creation of a particular narrative or perspective. Frank's acknowledgment of these accusations indicates an acceptance of the inherently subjective nature of photography and the role of the photographer in shaping the narrative through their individual viewpoint.

The second part of the quote delves into the photographer's relationship with the subject matter and the emotional investment involved in the act of photography. Frank asserts that life for a photographer cannot be a matter of indifference, highlighting the deep emotional connection and engagement required in the process of capturing images. This sentiment aligns with the idea that photography is not merely a technical process but an art form that reflects the photographer's perception and emotions. The act of photographing inherently involves a level of emotional investment and a conscious or subconscious expression of the photographer's feelings and attitudes towards the subject matter.

Furthermore, Frank discusses the concept of opinion and its connection to criticism. He suggests that opinion often consists of a kind of criticism, indicating the evaluative nature of individual perspectives. In the context of photography, the photographer's opinion is manifested through their selection of subject matter, framing, and presentation, which inherently involves a form of critique or commentary on the world around them. Frank's acknowledgment of the critical aspect of opinion reflects the idea that photography is a means of expressing one's viewpoint and engaging in a dialogue with the audience, evoking emotional and intellectual responses through visual storytelling.

Moreover, Frank introduces the idea that criticism can come out of love, emphasizing the connection between emotional investment and the act of critique. In the context of photography, this notion suggests that the photographer's critique of the subject matter is rooted in a deep appreciation and affection for the subjects they capture. This perspective aligns with the concept of photography as a form of visual communication and expression, where the photographer's emotional connection with the subject matter influences their portrayal and interpretation.

In conclusion, Robert Frank's quote encapsulates the complex interplay between subjectivity, emotion, and critique in the art of photography. His acknowledgment of the subjective nature of photography and the emotional investment involved in capturing images provides insight into the multifaceted relationship between the photographer, the subject matter, and the audience. By recognizing the influence of the photographer's perspective and emotions on the creation of photographic art, Frank offers a profound reflection on the essence of photography as a medium for personal expression and storytelling.