I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.

Profession: Artist

Topics: Art, End, Painting, Wrong,

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Meaning: The quote by Lucian Freud, a renowned British painter, provides insight into his approach to portraiture and his ethical considerations as an artist. In this quote, Freud emphasizes his commitment to capturing the essence of the actual person through his paintings, without manipulating or exploiting them for artistic purposes. He expresses his belief that portraying individuals in a manner that is authentic to their nature is essential, and using them for ulterior motives would be ethically incorrect in his artistic practice.

Lucian Freud was known for his uncompromising and intense style of portraiture, where he sought to delve beneath the surface and reveal the raw and unembellished truth of his subjects. His approach to painting was deeply rooted in the idea of representing the genuine character of the individuals he portrayed, rather than conforming to any external artistic agenda.

Freud's emphasis on painting the "actual person" reflects his dedication to capturing the unique identity and essence of his subjects. This approach required a deep engagement with the individuals he painted, as he strived to convey their distinct personalities, emotions, and physical presence on the canvas. By focusing on the authentic portrayal of his subjects, Freud aimed to create a genuine connection between the viewer and the person depicted, allowing for a profound and intimate visual experience.

Furthermore, Freud's rejection of using individuals for "some ulterior end of art" underscores his ethical stance as an artist. He was critical of the idea of exploiting or manipulating his subjects for the sole purpose of artistic experimentation or conceptual exploration. Instead, he believed in the importance of respecting the integrity and natural state of the individuals he painted, without imposing external narratives or agendas onto their portrayal.

Freud's ethical considerations in his artistic practice highlight his commitment to the autonomy and dignity of his subjects. By refusing to depict individuals engaging in activities or behaviors that were not true to their nature, he asserted the importance of portraying them in a sincere and unadulterated manner. This approach not only reflected his artistic integrity but also demonstrated a profound respect for the individuals who entrusted him with their representation.

In the context of contemporary art and portraiture, Freud's quote serves as a reminder of the ethical responsibilities that artists bear in their representation of human subjects. It prompts reflection on the potential impact of artistic practices on the individuals being portrayed and raises important questions about consent, authenticity, and the ethical boundaries of artistic expression.

In conclusion, Lucian Freud's quote encapsulates his unwavering dedication to portraying the actual person in his paintings and his ethical stance against using individuals for ulterior artistic ends. His commitment to authenticity, integrity, and respect for his subjects continues to resonate within the realm of portraiture and serves as a poignant reminder of the ethical considerations that underpin the representation of human subjects in art.

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