Meaning: This quote by Lucian Freud, a British painter known for his figurative works, offers insight into the nature of artistic representation and the relationship between the artist, the model, and the resulting artwork. In this quote, Freud emphasizes the independence and separate existence of the picture from the model, suggesting that the accuracy of the copy is of little consequence. This statement reflects Freud's approach to portraiture and his belief in the autonomy of the artistic creation.

Freud's emphasis on the independence of the picture from the model underscores the idea that the artwork is not merely a replication of the model, but rather a distinct entity with its own presence and significance. This concept challenges the traditional notion of art as a direct reflection of reality, highlighting the artist's role in interpreting and transforming the subject matter. By asserting that the picture will exist on its own, Freud suggests that the artwork carries its own intrinsic value and meaning, separate from its representational fidelity to the model.

Furthermore, Freud's assertion that the accuracy of the copy is of no interest implies a departure from conventional standards of realism and verisimilitude in art. Instead of prioritizing precise replication, Freud seems to prioritize the expressive and interpretive qualities of the artwork. This aligns with his own artistic style, which often featured bold and visceral depictions of the human form that emphasized psychological depth over strict visual accuracy. By downplaying the importance of accuracy, Freud encourages a reevaluation of the criteria by which art is judged, emphasizing the emotional and conceptual impact of the work over technical precision.

Freud's approach to portraiture and his disregard for strict accuracy in his depictions of models can be seen as a deliberate rejection of the idea that art must adhere to conventional standards of representation. Instead, he champions the idea that art should be evaluated on its own terms, independent of its relationship to the external world. This perspective aligns with the broader modernist and postmodernist movements in art, which sought to challenge and subvert traditional norms and expectations.

It is also important to consider the context in which Freud worked. As a prominent figure in the art world throughout the 20th century and into the 21st century, Freud's approach to portraiture and his disregard for strict accuracy in his depictions of models can be seen as a deliberate rejection of the idea that art must adhere to conventional standards of representation. Instead, he champions the idea that art should be evaluated on its own terms, independent of its relationship to the external world. This perspective aligns with the broader modernist and postmodernist movements in art, which sought to challenge and subvert traditional norms and expectations.

In conclusion, Lucian Freud's quote encapsulates his unique perspective on the nature of artistic representation and the autonomy of the artwork. By emphasizing the independence of the picture from the model and downplaying the importance of accuracy, Freud challenges conventional notions of realism and asserts the intrinsic value of the artistic creation. This quote offers valuable insight into Freud's approach to portraiture and his broader philosophy of art, inviting us to reconsider the criteria by which we evaluate and appreciate artistic works.