If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.

Profession: Musician

Topics: Music, Quality, Present, World,

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Meaning: This quote by musician Robert Fripp delves into the subjective nature of music appreciation and the role of perception in experiencing music. It implies that the ability to perceive and appreciate certain qualities in music is not universal, and that different individuals may interpret and experience music in diverse ways. The quote can be interpreted as an exploration of the relationship between the artist, the audience, and the intrinsic qualities of music itself.

In the first part of the quote, Fripp raises the question of whether a particular quality in music remains present if an apprentice does not perceive it in the same way as a master. This concept alludes to the idea that the depth and intricacies of music may not be fully appreciated by all listeners, particularly those who are less experienced or knowledgeable about the art form. It suggests that the ability to discern certain nuances, complexities, and subtleties in music may be influenced by an individual's level of expertise and understanding of the art form.

Fripp's use of the phrase "what a master hears" suggests that a master musician, who possesses a high level of skill and deep understanding of music, may perceive and interpret the qualities of a piece of music differently than an apprentice or someone less experienced in the field. This highlights the importance of expertise and musical knowledge in shaping one's perception and appreciation of music.

The quote goes on to provide an ambiguous answer to the initial question by stating "Yes and no." This response implies that the presence of a specific quality in music is contingent on the context in which it is being perceived. In the world of the master, where a deep understanding and appreciation of music exists, the quality in question may indeed be present. However, in the world of the apprentice, who may not possess the same level of insight or discernment, the same quality may not be perceived or acknowledged.

This dichotomy between "yes and no" suggests that the presence of a particular quality in music is not absolute or universal, but rather dependent on the perspective and perception of the listener. It acknowledges the subjectivity of musical experience and the varying interpretations that individuals may have based on their unique backgrounds, knowledge, and sensibilities.

Overall, this quote by Robert Fripp prompts reflection on the multifaceted nature of music appreciation and the role of perception in shaping our understanding of musical qualities. It invites contemplation on the interplay between the expertise of the listener, the intrinsic attributes of music, and the subjective nature of musical experience. Ultimately, it emphasizes the diversity of perspectives that contribute to the rich tapestry of musical interpretation and appreciation.

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