Meaning: The quote by Fred Frith, a renowned composer, sheds light on his creative process and the unique approach he takes when composing pieces of music for films. Frith describes how he enjoyed taking raw sounds from various locations during the filming process, such as the sound of a candy machine, and then crafting music to accompany these sounds. He acknowledges that this process may seem unnecessary within the context of the film, as the sounds already possess their own logic. However, Frith's approach challenges traditional notions of film composition and highlights the innovative ways in which he incorporates found sounds into his music.

Frith's statement underscores the idea that music can be derived from unexpected sources and that the act of composing is not limited to conventional instruments or melodies. By drawing inspiration from everyday sounds, Frith adds a layer of depth and complexity to his compositions, transforming mundane noises into musical elements that enrich the auditory experience of the film. This unconventional approach aligns with Frith's reputation as an experimental and boundary-pushing composer, known for his avant-garde works that defy traditional musical conventions.

In the context of film scoring, Frith's approach to integrating found sounds into his compositions speaks to the idea of creating a multi-sensory experience for the audience. By incorporating sounds from the film's actual locations, Frith blurs the line between the on-screen narrative and the real world, immersing viewers in a sonic landscape that extends beyond the visual storytelling. This technique can evoke a heightened sense of realism and authenticity, as the sounds of everyday life become integral components of the musical score, enhancing the overall cinematic atmosphere.

Furthermore, Frith's willingness to intertwine music with existing sounds from the film reflects a deep understanding of the interconnected nature of auditory elements. Rather than treating music and sound effects as separate entities, Frith's approach unifies them, demonstrating a holistic approach to the audio aspects of the film. This integration can lead to a more cohesive and harmonious sensory experience for the audience, as the boundaries between music and sound design are purposefully blurred, resulting in a more immersive and emotionally resonant filmic experience.

Moreover, Frith's approach challenges the traditional hierarchy of film scoring, where music often takes precedence over incidental sounds. By elevating the significance of ambient noises and quotidian sounds, Frith underscores the potential for these elements to contribute meaningfully to the overall sonic tapestry of the film. This subversion of norms within film composition reflects Frith's willingness to defy conventions and explore new frontiers in his craft, ultimately expanding the possibilities of what film music can encompass.

In conclusion, Fred Frith's quote encapsulates his unconventional and innovative approach to film composition, emphasizing the integration of found sounds from film locations into his musical pieces. This approach not only enriches the auditory experience of the film but also challenges traditional notions of film scoring, blurring the boundaries between music and ambient sounds. By embracing the inherent musicality of everyday noises, Frith demonstrates a deep understanding of the interconnected nature of auditory elements and the potential for immersive, multi-sensory storytelling within the realm of film.