There are only about three really, really good sitcoms on the air.

Profession: Actress

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Meaning: This quote by Sharon Gless, an accomplished actress known for her roles in television series such as "Cagney & Lacey" and "Burn Notice," reflects her assessment of the quality of sitcoms on television. Gless's statement suggests that, in her opinion, the number of truly exceptional sitcoms currently airing is quite limited.

Sitcoms, or situational comedies, have been a staple of television programming for decades, offering audiences a familiar and often lighthearted form of entertainment. Typically following a recurring set of characters in a familiar environment, such as a workplace or a family home, sitcoms aim to elicit laughter and provide relatable, humorous portrayals of everyday life.

Gless's comment may reflect her discerning taste and high standards for what she considers to be a "really, really good" sitcom. It also suggests that, in her view, the majority of sitcoms on the air may not meet the level of quality she expects from the genre. This viewpoint could be influenced by her extensive experience in the television industry and her exposure to a wide range of sitcoms over the years.

The statement also raises the question of what criteria Gless uses to determine the quality of a sitcom. Factors such as writing, character development, comedic timing, and originality are likely to be key considerations. Gless may value well-crafted dialogue, strong ensemble performances, and innovative storytelling in her assessment of sitcom quality.

It is also important to consider the evolving landscape of television and the multitude of platforms on which sitcoms are now available. With the rise of streaming services and the increasing diversity of content, there is a wide range of sitcoms catering to different tastes and demographics. Gless's statement may reflect a more traditional view of sitcoms and the specific standards she holds for the genre.

In today's television landscape, standout sitcoms such as "The Office," "Parks and Recreation," and "Brooklyn Nine-Nine" have garnered widespread acclaim for their writing, performances, and ability to connect with audiences. These shows have demonstrated the enduring appeal and potential for excellence within the sitcom format.

Ultimately, Gless's quote provokes consideration of the subjective nature of evaluating the quality of sitcoms and the diverse preferences of audiences and critics. While she may believe that only a few sitcoms truly excel in the current television landscape, others may have different opinions and celebrate a broader array of offerings within the genre.

In conclusion, Sharon Gless's observation about the limited number of exceptional sitcoms on the air reflects her discerning standards and experience in the television industry. Her statement invites reflection on the evolving nature of sitcoms, the criteria for assessing their quality, and the diverse range of offerings within the genre. While her perspective offers valuable insight, it is important to recognize the subjective nature of evaluating television content and the varied preferences of audiences and critics.

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