Meaning: This quote by artist Andy Goldsworthy touches on the fragility and unpredictability of working with natural materials, particularly stones. Goldsworthy is known for his site-specific land art and sculptures that are often made using natural materials such as leaves, sticks, and stones. In this quote, he refers to the process of checking stones for any signs of damage during the firing process, which is a crucial step in creating his artworks.

When Goldsworthy mentions that "stones are checked every so often to see if any have split or at worst exploded," he is highlighting the delicate nature of the materials he works with. Stones, as natural objects, are subject to internal flaws and weaknesses that may not be immediately apparent. During the firing process, which involves heating the stones to high temperatures to create a specific effect, these internal weaknesses can become evident. The process of checking the stones is essential to ensure that they are not compromised and that the artwork can proceed as planned.

The mention of an explosion leaving debris in the elements and requiring the firing to be abandoned underscores the potential risks and setbacks that can occur when working with natural materials. An explosion can not only damage the stones themselves but also scatter debris into the surrounding environment, disrupting the artistic process and potentially posing safety concerns. This emphasizes the need for careful monitoring and attention to detail throughout the creation of these artworks.

Goldsworthy's approach to working with natural materials reflects a deep understanding and respect for the inherent qualities of the elements he uses. He embraces the impermanence and unpredictability of these materials, allowing their natural characteristics to influence and shape his artistic process. This approach is in line with the broader ethos of environmental art, which often seeks to create a symbiotic relationship between art and nature, acknowledging the interplay of natural forces and human intervention.

The quote also sheds light on the technical and practical challenges of working with stones in the context of creating large-scale outdoor sculptures. The firing process mentioned by Goldsworthy likely involves techniques such as pit firing or kiln firing, which require careful control of temperature and conditions to achieve the desired artistic effects. The potential for stones to split or explode during this process highlights the complex and intricate nature of the artist's practice, where a deep understanding of the materials and processes involved is essential.

In summary, Andy Goldsworthy's quote encapsulates the nuanced relationship between the artist and the natural materials he works with, emphasizing the need for vigilance, respect, and adaptability in the face of the inherent unpredictability of these materials. It also provides insight into the technical challenges and considerations involved in creating large-scale outdoor artworks using natural elements, highlighting the intersection of art, nature, and craftsmanship in Goldsworthy's practice.