Meaning: Norman Granz, a renowned music producer and manager, made this statement in 1960, expressing his disillusionment with the music industry in the United States. Granz is best known for his pioneering work in promoting jazz music and artists, and his statement reflects a significant shift in his career and the music industry at the time.

During the mid-20th century, Granz played a crucial role in the promotion and popularization of jazz music. He founded several record labels, including Clef Records and Verve Records, and managed and produced music for some of the most iconic jazz musicians of the era, such as Ella Fitzgerald, Oscar Peterson, and Dizzy Gillespie. Granz was also the founder of the famous Jazz at the Philharmonic concert series, which showcased live performances by various jazz artists and contributed to the genre's growing popularity.

However, despite his significant contributions to the music industry, Granz became increasingly disillusioned with the state of the music business in the United States. His statement about not doing any more tours in the U.S. reflects his frustration with the commercialization and racial segregation prevalent in the music industry at the time.

Granz was a vocal advocate for racial equality and was known for his efforts to combat racial segregation in the music world. He often refused to perform or book his artists at venues that practiced segregation, which led to conflicts with concert promoters and venue owners. His commitment to equality and civil rights made him a controversial figure in the industry but also earned him respect and admiration from many musicians and fans.

In the context of his statement, Granz's decision to avoid touring in the United States can be seen as a response to the ongoing challenges and obstacles he faced in his efforts to promote jazz music and combat racial discrimination. It also reflects a broader shift in the music industry, as artists and promoters began to explore international markets and opportunities outside the U.S.

Following his statement, Granz focused more on promoting jazz music in international markets, particularly in Europe and Japan. He organized tours and festivals abroad, where he could showcase his artists without the constraints of racial segregation and discrimination. This international focus not only allowed Granz to continue his work in promoting jazz but also contributed to the globalization of the genre and its growing popularity on a global scale.

In conclusion, Norman Granz's statement about not doing tours in the United States reflects his frustration with the challenges and discrimination prevalent in the music industry at the time. It also highlights his commitment to promoting jazz music on an international stage and his role in shaping the genre's global appeal. Granz's impact on the music industry, particularly in the realm of jazz, continues to be felt today, and his legacy as a promoter of equality and musical excellence remains an important part of his enduring influence.