Meaning: The quote you mentioned refers to the book "Repeated Takes: A Short History of Recording and Its Effects on Music" by Michael Chanan, and it was endorsed by Colin Greenwood, a musician known for being the bassist of the band Radiohead. The book explores the impact of recording technology on music and the way it has shaped the music industry and the creative process of artists.

Michael Chanan, an academic and filmmaker, delves into the history of recording technology and its influence on music in "Repeated Takes." The book offers a comprehensive overview of how the development of recording techniques and equipment has revolutionized the way music is created, produced, and consumed. Chanan examines the evolution of recording from its early days to the digital era, highlighting its profound effects on musical aesthetics, performance practices, and the overall cultural significance of music.

The endorsement by Colin Greenwood, a respected musician, underscores the book's relevance and impact within the music community. As a member of Radiohead, a band celebrated for its innovative approach to music, Greenwood's recommendation suggests that "Repeated Takes" offers valuable insights into the intersection of technology and creativity in the music industry.

Chanan's work in "Repeated Takes" sheds light on how recording technology has not only transformed the technical aspects of music production but also influenced the artistic choices and expressive possibilities available to musicians. The book explores the ways in which recording technology has shaped the sonic landscapes of various musical genres and how it has redefined the roles of performers, producers, and engineers in the creation of music.

Furthermore, "Repeated Takes" addresses the societal and cultural implications of recording technology, examining how it has altered listening habits, distribution channels, and the commercial dynamics of the music industry. Chanan's analysis encompasses the economic, legal, and ethical dimensions of recording technology, offering a comprehensive framework for understanding its multifaceted impact on music and society.

By delving into the historical, technical, and cultural dimensions of recording technology, "Repeated Takes" provides a nuanced perspective on the complex relationship between technology and artistic expression in the realm of music. Chanan's interdisciplinary approach situates the evolution of recording within broader cultural and social contexts, offering readers a rich tapestry of insights into the intricate interplay between technology, creativity, and musical innovation.

Overall, "Repeated Takes" stands as a significant contribution to the literature on the history and impact of recording technology in music. Its endorsement by Colin Greenwood underscores its relevance and resonance within the music community, affirming its value as a thought-provoking and illuminating exploration of the transformative role of recording technology in shaping the musical landscape. Whether for scholars, musicians, or music enthusiasts, "Repeated Takes" offers a compelling journey through the evolution of recording and its profound effects on the art and industry of music.

In conclusion, Michael Chanan's "Repeated Takes" offers a compelling exploration of the history and impact of recording technology on music, drawing from historical, technical, and cultural perspectives to illuminate the multifaceted influence of recording on artistic expression, industry dynamics, and societal norms. Colin Greenwood's endorsement underscores the book's significance within the music community, affirming its value as a thought-provoking and insightful resource for understanding the intricate relationship between technology and creativity in the realm of music.