Meaning: The quote by Howard Hodgkin, a renowned British artist, reflects his appreciation for the calming effect of reading old copies of National Gallery catalogues. Hodgkin's statement suggests that he finds solace in the precise and unembellished language used in these catalogues, which is in stark contrast to the emotional and expressive nature of his own artwork.

Howard Hodgkin was known for his vibrant and emotionally charged paintings, which often featured bold colors and dynamic brushwork. His work is deeply personal and evocative, drawing on his experiences and emotions to create powerful visual expressions. In contrast, the catalogues of the National Gallery, an art museum in London, are typically characterized by factual descriptions and scholarly analysis of the artworks featured in the collection.

The juxtaposition of Hodgkin's intense and emotive art with the dry and matter-of-fact language of the National Gallery catalogues is intriguing. It suggests that Hodgkin finds a sense of calm and reassurance in the precise and unadorned prose of the catalogues. This could be seen as a form of respite from the intensity of his own artistic practice, offering a different kind of aesthetic experience that provides a sense of balance and grounding.

It's also worth considering the historical and cultural context in which Hodgkin formed his appreciation for these catalogues. The National Gallery has a long and esteemed history, and its catalogues would have been meticulously researched and written by art historians and experts in their field. The language used in these publications reflects a commitment to scholarly rigor and accuracy, serving as a valuable resource for art enthusiasts and scholars alike.

For Hodgkin, who was deeply immersed in the art world and its traditions, the National Gallery catalogues may have represented a connection to a more formal and structured approach to art appreciation. In a world where art is often discussed in highly subjective and emotional terms, these catalogues provide a counterbalance, offering a more objective and analytical perspective that can be, as Hodgkin suggests, "infinitely soothing."

Hodgkin's statement also raises questions about the nature of artistic inspiration and the sources from which artists draw creative nourishment. While his own work is characterized by its emotional depth and expressive energy, Hodgkin finds solace in the restrained and restrained language of the National Gallery catalogues. This duality speaks to the complexity of artistic sensibilities and the multifaceted nature of creative influence.

In summary, Howard Hodgkin's reflection on the calming effect of old National Gallery catalogues sheds light on the intricate relationship between artistic expression and the diverse sources of inspiration that artists draw upon. His appreciation for the dry and factual prose of the catalogues offers a glimpse into the ways in which artists navigate the contrasts and contradictions within their own creative practices, seeking solace and balance in unexpected places.