Meaning: This quote by Tobe Hooper, the director of iconic horror films such as "The Texas Chain Saw Massacre" and "Poltergeist," offers an interesting perspective on the influence of law students in Hollywood and their impact on film production. Hooper suggests that law students have played a significant role in shaping the film industry, particularly in relation to the focus on profitability and the prevalence of remakes as a means of introducing new talent.

Hooper's assertion that law students have taken over Hollywood reflects the increasing influence of business and legal considerations in the film industry. Traditionally, the entertainment industry has been driven by creativity and artistic expression, but in recent years, there has been a noticeable shift towards a more profit-oriented approach. This shift is evident in the emphasis on creating films that are likely to generate substantial revenue, often at the expense of originality and innovation.

The director's statement that "to them it's all about making money" highlights the perception that law students, who are likely to be involved in negotiations, contracts, and other legal aspects of filmmaking, prioritize financial success above all else. This perspective aligns with the broader trend of studios and production companies prioritizing commercial viability over creative risk-taking. This approach has led to an increase in the number of sequels, reboots, and remakes, as these familiar properties are perceived as having built-in audiences and lower financial risk.

Furthermore, Hooper's observation that "they know people want to see what they've seen before" speaks to the prevalence of nostalgia and familiarity in contemporary cinema. This sentiment is supported by the enduring popularity of franchises, reboots, and adaptations of familiar stories, which often perform well at the box office due to audience recognition and existing fan bases. From a business perspective, leveraging existing intellectual properties can be a strategic decision to capitalize on established fan bases and mitigate the uncertainty associated with original concepts.

Additionally, Hooper's assertion that "remakes are places to showcase the new stars of tomorrow" sheds light on the role of remakes as a platform for introducing emerging talent to a wider audience. While remakes are often criticized for lacking originality, they can serve as a springboard for up-and-coming actors, directors, and other industry professionals to showcase their skills and potentially launch their careers. This phenomenon reflects the interconnected nature of the film industry, where commercial considerations intersect with opportunities for new talent to gain exposure and recognition.

In conclusion, Tobe Hooper's quote offers a thought-provoking perspective on the evolving dynamics of the film industry, particularly regarding the influence of law students and the commercial imperatives that shape contemporary Hollywood. The emphasis on profitability, the reliance on familiar narratives, and the role of remakes in launching new talent all reflect the complex interplay between creative expression, business interests, and audience preferences in the modern entertainment landscape.