Meaning: Edward Hopper, an American realist painter and printmaker, made this statement in 1939, reflecting his views on the direction of painting and art during his time. His words encapsulate his belief that art, particularly painting, should be more closely connected to life and nature's phenomena in order to achieve greatness. This statement sheds light on Hopper's artistic philosophy and his perspective on the state of the art world during the early 20th century.

In his assertion that "Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great," Hopper emphasizes the importance of a direct and honest portrayal of the world around us. He suggests that artists should engage more deeply with the realities of life and the natural world, moving away from indirect or abstract representations. This sentiment aligns with Hopper's own artistic style, characterized by its focus on everyday scenes and the portrayal of modern American life.

Hopper's emphasis on "dealing more fully" with life implies a call for artists to delve into the complexities of human existence and the natural environment. Rather than shying away from the rawness of reality, Hopper advocates for a more unflinching and comprehensive examination of the world. This approach may involve exploring a wide range of subjects, including urban and rural landscapes, human interactions, and the nuances of light and shadow. By doing so, Hopper suggests that painting can achieve a deeper resonance and relevance, capturing the essence of life in a more profound manner.

Furthermore, Hopper's mention of "nature's phenomena" underscores the significance of the natural world as a wellspring of inspiration and subject matter for art. He encourages artists to engage with the beauty and intricacies of nature, from its grand landscapes to its subtle details. By doing so, artists can tap into a rich source of visual and emotional stimuli, enriching their work and deepening its connection to the world at large.

The phrase "before it can again become great" is particularly noteworthy, as it implies a longing for a return to a previous era of artistic greatness. Hopper's use of the word "again" suggests that he views painting as having once held a position of eminence, which he believes can be regained through a reinvigoration of its relationship with life and nature. This sentiment reflects a certain nostalgia for a bygone artistic era, while also expressing optimism about the potential for painting to reclaim its former stature through a renewed focus on essential themes.

In conclusion, Edward Hopper's statement underscores his belief in the importance of a more direct and profound engagement with life and nature in painting. By advocating for a fuller and less oblique approach, Hopper champions a deeper exploration of the human experience and the natural world as a means of revitalizing the artistic medium. His words continue to resonate as a call for artists to embrace the richness of existence and the beauty of the world around them in their creative endeavors.