Meaning: This quote by musician Charlie Hunter sheds light on the challenges and possibilities of incorporating the horn instrument into the role of comping, or accompanying, in a musical ensemble. Hunter's words highlight the difficulty that horn players may face when attempting to fulfill the comping role traditionally held by instruments such as the piano or guitar. However, he also expresses his dedication to exploring new paradigms and discovering innovative ways to integrate horn players into this aspect of musical performance.

The notion of a horn player struggling to comp can be attributed to the inherent differences between horn instruments and those typically associated with comping. Instruments like the piano and guitar are often used for comping due to their ability to easily provide harmonic accompaniment, rhythm, and melodic support within a band or ensemble setting. Their design and technical capabilities make them well-suited for this role, allowing them to seamlessly interact with other instruments and contribute to the overall musical texture.

On the other hand, horn instruments, such as the saxophone, trumpet, or trombone, are more commonly associated with lead roles, melodic improvisation, and solo passages. Their sound production, articulation, and physical playing techniques are oriented towards carrying the melody and delivering expressive solos, rather than providing the chordal and rhythmic support typically associated with comping.

Despite these challenges, Charlie Hunter expresses his determination to "switch those paradigms around" and "find a little magic space where that works." This reflects his innovative and open-minded approach to music, as well as his willingness to explore unconventional possibilities within the realm of musical performance. By acknowledging the difficulty and then seeking to overcome it, Hunter exemplifies a mindset of creative problem-solving and experimentation.

Hunter's reference to "mining" the potential of horn players in the comping role suggests a deliberate and thorough exploration of this uncharted territory. This approach involves a deep dive into the technical and musical capabilities of horn instruments, as well as an examination of how they can be reimagined and utilized within the context of comping. It also implies a process of discovery, trial and error, and refinement as musicians seek to uncover and harness the hidden potential in this unconventional musical setting.

In practical terms, this exploration may involve experimenting with different playing techniques, reimagining traditional comping patterns to suit the unique characteristics of horn instruments, and developing new approaches to collaborative improvisation within a band or ensemble. It may also entail the development of specific arrangements, compositions, or musical frameworks that accommodate and showcase the comping abilities of horn players in innovative ways.

Overall, Charlie Hunter's quote encapsulates the challenges, aspirations, and creative endeavors involved in redefining the role of horn players within the context of comping. It speaks to the spirit of musical innovation, adaptability, and boundary-pushing that is essential for the evolution of musical expression and the cultivation of new artistic possibilities. In embracing this mindset, musicians can continue to expand the horizons of musical performance and composition, while honoring the unique contributions and potential of every instrument within the diverse tapestry of music.