Meaning: The quote "We seem to have set up some very arcane rules as to when it is actually OK to applaud" by Emanuel Ax, a renowned musician and pianist, raises the question of the etiquette surrounding applause during musical performances. This statement reflects the evolving dynamics of audience behavior and the traditional norms associated with classical music concerts.

In the context of classical music, there has long been a set of unspoken rules governing when it is deemed appropriate to applaud during a performance. Traditionally, the audience refrains from clapping between movements of a multi-movement work, such as a symphony or concerto, to maintain the continuity and integrity of the piece. This practice is rooted in the historical conventions of classical music concerts, where maintaining a reverent silence was considered a sign of respect for the performers and the music.

However, in recent years, there has been a growing debate within the classical music community about the rigidity of these rules and their impact on the concert experience. Emanuel Ax's quote touches on this debate, suggesting that the conventions surrounding applause may be overly restrictive and out of touch with contemporary audience expectations.

One perspective on this issue is that the strict adherence to applause etiquette can create a sense of formality and exclusivity that may alienate potential new audiences. For those unfamiliar with classical music traditions, the pressure to adhere to these unwritten rules can be intimidating and may deter them from engaging with live performances. In this sense, the quote can be interpreted as a call for a more inclusive and welcoming atmosphere in classical music venues.

On the other hand, proponents of traditional applause etiquette argue that these customs are integral to preserving the integrity and immersive nature of the concert experience. They contend that the silence between movements allows for uninterrupted focus on the music and enables the audience to fully appreciate the composer's intended structure and emotional arc. Additionally, they argue that breaking the silence with premature applause can disrupt the flow of the performance and detract from the performers' concentration.

Despite the ongoing debate, it is important to recognize that the attitudes towards applause in classical music are not uniform across different cultures and historical periods. In some cases, the norms surrounding applause have evolved over time, with past eras embracing a more spontaneous and expressive approach to audience reactions. Understanding the historical context of these traditions can provide valuable insights into the shifting dynamics of concert etiquette.

In contemporary classical music performances, some artists and ensembles have taken proactive steps to address the issue of applause etiquette by engaging in dialogue with audiences and re-evaluating the conventions that govern their interactions. This approach reflects a willingness to adapt to the changing expectations of concertgoers while upholding the artistic integrity of the music.

In conclusion, Emanuel Ax's quote encapsulates the complex interplay between tradition and innovation in the realm of classical music concert etiquette. As the classical music community continues to grapple with these issues, it is essential to foster a dialogue that balances respect for tradition with a forward-looking approach to engaging diverse audiences. Ultimately, the evolving landscape of applause etiquette reflects the broader evolution of classical music as a living art form that resonates with contemporary society.