Meaning: Arne Jacobsen, a renowned Danish architect and designer, made this thought-provoking statement, reflecting on the changing perceptions of quality and status symbols in society. In this quote, Jacobsen suggests that the traditional notions of status symbols and material possessions have evolved, giving way to a new appreciation for simplicity and functionality.

The first part of the quote, "In a way, the sense of quality has improved," implies that there has been a shift in how people perceive quality. Rather than equating quality solely with luxury or extravagance, there is a growing recognition of the value of well-designed, practical items. This shift in perspective may be attributed to a greater emphasis on sustainability, durability, and the overall user experience. Consumers are increasingly prioritizing products that are well-crafted, long-lasting, and serve their intended purpose effectively.

Furthermore, Jacobsen's assertion that "the status symbol of the small things is gone" speaks to a departure from ostentatious displays of wealth and opulence. Historically, individuals often sought to flaunt their social status through conspicuous consumption, using luxury items and extravagant displays to signify their affluence. However, Jacobsen suggests that there has been a reevaluation of what constitutes a status symbol. Instead of fixating on grandiose possessions, there is a growing appreciation for the intrinsic value of everyday objects and the elegance of simplicity.

The final part of the quote, "and it is acceptable to use stainless steel, even if the neighbour uses silver," encapsulates the idea that personal choices are no longer exclusively driven by external validation or comparison to others. The emphasis has shifted from adhering to traditional norms and societal expectations to embracing individual preferences and practicality. Jacobsen's reference to stainless steel versus silver serves as a metaphor for embracing functionality and modernity over traditional notions of luxury. It signifies a departure from the need to conform to outdated standards of prestige and a newfound acceptance of diverse tastes and styles.

Arne Jacobsen's perspective on quality and status symbols reflects broader societal shifts towards a more nuanced understanding of value and personal expression. As the world becomes increasingly interconnected and diverse, there is a growing awareness of the importance of authenticity, sustainability, and individuality. The quote encourages a rethinking of the significance we attribute to material possessions and a reevaluation of the benchmarks of quality and status in contemporary culture.

Jacobsen's own design philosophy aligns with the sentiments expressed in this quote. As an architect and designer, he was known for his modernist approach, characterized by clean lines, functionalism, and a focus on simplicity. His iconic furniture designs, such as the Egg chair and the Series 7 chair, exemplify his commitment to marrying form and function while eschewing unnecessary ornamentation. Jacobsen's work embodies the idea that true quality lies in thoughtful design, enduring materials, and a harmonious relationship between the object and its user.

In conclusion, Arne Jacobsen's quote offers a profound reflection on the evolving perceptions of quality and status symbols in contemporary society. It serves as a reminder to appreciate the intrinsic value of well-crafted, functional items and to embrace individual preferences free from the constraints of traditional notions of luxury. Jacobsen's enduring influence as an architect and designer reinforces the enduring relevance of his insights, inspiring us to reconsider the meaning of quality and status in a rapidly changing world.

Overall, the quote challenges us to reflect on our own relationship with material possessions and societal norms, encouraging a shift towards a more considered and authentic approach to defining quality and status in our lives.