Meaning: The quote "This current round of gigs, I'm just doing it using pure electronics" by Tom Jenkinson, a musician known for his work in electronic music under the alias Squarepusher, encapsulates a significant shift in his approach to live performances. Tom Jenkinson is renowned for his innovative and boundary-pushing approach to electronic music, and his decision to exclusively use electronic instruments for his recent gigs reflects his ongoing exploration of the sonic possibilities offered by technology.

Jenkinson's statement signals a departure from traditional live music setups that often include a combination of electronic and acoustic instruments. By opting for "pure electronics," he is embracing a mode of performance that relies entirely on electronic sound sources, such as synthesizers, drum machines, and samplers. This choice not only showcases his proficiency in manipulating and sculpting electronic sounds but also highlights his commitment to pushing the boundaries of what is achievable within the realm of electronic music performance.

In the context of electronic music, the use of "pure electronics" opens up a world of sonic experimentation and manipulation. Electronic instruments offer a vast array of sounds that can be tweaked, modulated, and transformed in real-time, providing an immersive and dynamic experience for both the performer and the audience. By forgoing traditional instruments in favor of electronics, Jenkinson is embracing the limitless potential for sonic exploration and manipulation that these tools offer.

Furthermore, Jenkinson's decision to focus on "pure electronics" for his current gigs underscores the evolving landscape of live electronic music performances. As technology continues to advance, electronic musicians are afforded increasingly sophisticated tools for creating and performing music. Jenkinson's choice to exclusively utilize electronic instruments reflects a contemporary approach to live electronic music, where the boundaries between studio production and live performance are constantly being redefined.

From a technical standpoint, the use of "pure electronics" also presents unique challenges and opportunities for a performer. Crafting an engaging and compelling live electronic music performance requires a deep understanding of sound design, signal processing, and real-time manipulation techniques. By embracing these challenges, Jenkinson demonstrates his mastery of electronic music production and performance, showcasing his ability to create a captivating and immersive live experience using solely electronic instruments.

In summary, Tom Jenkinson's statement about using "pure electronics" for his current round of gigs encapsulates a significant shift in his approach to live performance. It reflects his dedication to exploring the sonic possibilities offered by electronic instruments, as well as his commitment to pushing the boundaries of what is achievable within the realm of electronic music performance. By embracing "pure electronics," Jenkinson not only showcases his proficiency in manipulating electronic sounds but also underscores the evolving landscape of live electronic music performances in the contemporary music scene.