Meaning: The quote by Lara John, a musician, addresses the concept of intonation and temperament in music, particularly in relation to solo string instruments or vocals. The quote suggests that there is no logical or practical justification for these instruments or voices, which have the capability to produce pure intonation, to adhere to tempered tuning systems.

In music, intonation refers to the accuracy of pitch when playing or singing. Pure intonation, also known as just intonation, is a tuning system where the frequencies of the notes are related to each other by simple whole-number ratios. This results in a pure and harmonious sound, as the intervals between the notes are in perfect mathematical proportion. On the other hand, tempered tuning systems, such as equal temperament, divide the octave into equal intervals, allowing for greater flexibility in playing in different keys but sacrificing the purity of the intervals.

The quote challenges the conventional wisdom that tempered tuning is necessary or preferable for solo string instruments or vocals. It suggests that instruments or voices capable of producing pure intonation should not feel compelled to conform to tempered tuning systems. This viewpoint reflects a reverence for the natural and unadulterated beauty of pure intonation in music.

Solo string instruments, such as the violin, cello, and viola, are capable of producing pure intonation due to their ability to adjust the pitch of each note manually. Similarly, skilled vocalists have the capacity to sing with pure intonation, adjusting their pitch to achieve precise intervals. This contrasts with instruments like the piano, which is tuned to an equal temperament system and cannot produce pure intonation in the same way.

By advocating for pure intonation in solo performances, the quote highlights the potential for emotional depth and expressiveness that comes from adhering to the natural harmonic relationships between notes. This approach can create a heightened sense of resonance and emotional impact, as the intervals are in perfect alignment with the natural harmonic series.

Furthermore, the quote challenges the notion that tempered tuning is a necessary compromise for the sake of practicality or versatility. It suggests that the pursuit of pure intonation is not only achievable but also desirable, particularly in the context of solo performances where the nuances of individual expression and tonal purity are paramount.

Lara John's quote encourages musicians to explore the expressive and emotive possibilities inherent in pure intonation, emphasizing the potential for solo string instruments and voices to create deeply resonant and evocative musical experiences. It challenges musicians to reconsider the traditional reliance on tempered tuning systems and to embrace the inherent beauty of pure intonation in their performances.

In conclusion, Lara John's quote serves as a thought-provoking meditation on the role of intonation and temperament in music, particularly within the context of solo performances by string instruments and voices. It encourages a reevaluation of the traditional assumptions and practices surrounding tuning systems, advocating for the pursuit of pure intonation as a means of unlocking the full expressive potential of music. By challenging the perceived necessity of tempered tuning and highlighting the emotive power of pure intonation, the quote inspires musicians to explore new realms of musical depth and resonance in their solo performances.