Meaning:
Neil Jordan, a renowned film director, shares his insightful perspective on the structure of a "normal film" with the quote, "My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end." This quote encapsulates the essence of storytelling in film and sheds light on the key elements that contribute to a well-structured narrative.
In the context of filmmaking, the quote implies that a "normal film" typically follows a narrative arc characterized by distinct movements that propel the story forward. These movements encompass the progression, development, and occasional divergence of the plot, ultimately leading to a cohesive and fulfilling conclusion. Jordan's use of the term "different movements" suggests that a film's narrative is not linear but rather dynamic and multi-dimensional, encompassing various twists and turns that captivate and engage the audience.
The notion of "program, develop, go a little bit off the trunk, come back, and end" outlined in the quote underscores the cyclical nature of storytelling in film. Each phase of the narrative serves a specific purpose in advancing the plot and deepening the audience's emotional investment in the story. The "program" phase introduces the central conflict, characters, and thematic elements, setting the stage for the unfolding drama. Subsequently, the narrative "develops" as the characters face challenges, undergo personal growth, and confront pivotal moments that drive the story forward.
Moreover, the phrase "go a little bit off the trunk" alludes to the narrative detours or deviations that add complexity and depth to the storytelling. These deviations may manifest as subplots, character backstories, or unexpected plot twists that enrich the overall narrative tapestry. While these diversions may temporarily lead the audience away from the main storyline, they ultimately contribute to a more immersive and layered viewing experience.
The concept of "come back" signifies the narrative's ability to recenter itself after exploring tangential elements, bringing the audience's focus back to the central story and its core themes. This return to the main narrative serves to reinforce the overarching plot and reignite the audience's investment in the characters and their journey. Finally, the narrative culminates in a satisfying "end," where loose ends are tied up, conflicts are resolved, and the audience is left with a sense of closure and fulfillment.
Jordan's quote encapsulates the cyclical and multi-faceted nature of storytelling in film, emphasizing the importance of progression, development, and narrative cohesion. It highlights the intricate balance between forward momentum and narrative exploration, underscoring the artistry and craftsmanship involved in crafting a compelling cinematic experience.
In conclusion, Neil Jordan's quote provides a thought-provoking perspective on the structure of a "normal film," offering valuable insights into the essential components of storytelling in cinema. By elucidating the concept of distinct movements within a narrative arc, Jordan's quote invites audiences and filmmakers alike to appreciate the intricacies of storytelling and the deliberate construction of compelling, multi-dimensional narratives in film.