Meaning: Neil Jordan's quote about "The Company of Wolves" sheds light on the multi-dimensional nature of horror films and the enduring influence of fairy tales in modern storytelling. In this statement, Jordan challenges the traditional categorization of horror films, suggesting that they can encompass a broader range of themes and elements. By likening "The Company of Wolves" to a fairy tale, he emphasizes its complex and nuanced nature, highlighting the convergence of innocence and darkness that characterizes both genres.

"The Company of Wolves" is a 1984 British gothic fantasy film directed by Neil Jordan, based on the short story of the same name by Angela Carter. The film weaves together elements of horror, fantasy, and folklore to create a visually stunning and thought-provoking cinematic experience. Set in a mysterious forest, the narrative unfolds as a young girl listens to her grandmother's cautionary tales about the dangers of wolves, which serve as metaphors for the predatory nature of men.

Jordan's assertion that "The Company of Wolves" is more than just a horror film aligns with the film's thematic richness and narrative complexity. By framing it as a fairy tale, he draws attention to the timeless and universal aspects of the story, transcending the boundaries of genre classification. Fairy tales, often associated with innocence and morality, have long been recognized for their ability to address profound and dark themes, reflecting the complexities of human existence.

The fusion of horror and fairy tale elements in "The Company of Wolves" speaks to the enduring relevance of these storytelling traditions and their capacity to resonate with audiences across different generations. By intertwining the primal fear of wolves with the enchanting allure of fairy tales, the film delves into the darker recesses of the human psyche while also embracing the whimsical and magical qualities of traditional folklore.

Jordan's mention of the loss of innocence in modern fairy tales resonates with the film's exploration of the transition from childhood to adulthood. As the protagonist navigates the treacherous terrain of the forest and encounters various symbolic figures, the narrative delves into themes of sexuality, desire, and the loss of innocence. Through this lens, "The Company of Wolves" transcends the boundaries of a conventional horror film, offering a layered and allegorical exploration of human nature.

Furthermore, Jordan's emphasis on the expanded scope of horror films challenges the notion that the genre is confined to gratuitous violence and jump scares. By infusing "The Company of Wolves" with elements of folklore and mythology, he elevates the film to a more profound and intellectually stimulating level. This approach aligns with the evolution of horror cinema, which has increasingly embraced psychological depth, social commentary, and artistic innovation.

In conclusion, Neil Jordan's quote regarding "The Company of Wolves" underscores the film's position as a captivating blend of horror and fairy tale elements, transcending the limitations of genre categorization. By invoking the enduring allure and complexity of fairy tales, Jordan invites audiences to engage with the film on a deeper level, appreciating its thematic richness and narrative symbolism. "The Company of Wolves" stands as a testament to the enduring power of storytelling, weaving together darkness and enchantment in a cinematic tapestry that continues to captivate and intrigue audiences.