The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot of the American work in the last ten or fifteen years.

Profession: Artist

Topics: Work, American, Effect, Painting, Years,

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Meaning: The quote by Donald Judd, an influential American artist and theorist, reflects his views on the evolution of painting and the shifting trends in the art world. Judd was a prominent figure in the minimalist art movement, and his ideas about art and aesthetics have had a lasting impact on contemporary art discourse.

In this quote, Judd contrasts older painting with more recent American work, specifically noting that the older painting has an effect "all at once" but with "lesser intensity" compared to the art produced in the last ten or fifteen years. This statement can be interpreted in various ways, shedding light on Judd's perspective on the changing nature of artistic expression and the evolving preferences of the art audience.

Judd's reference to the older painting having an effect "all at once" suggests a sense of immediate impact or visual coherence. This could be seen as a nod to traditional forms of painting, where the overall composition and narrative are often readily apparent to the viewer. However, his assertion that this effect is of "lesser intensity" indicates a shift in his preference towards a more intense and impactful visual experience, which he finds in the recent American work.

The phrase "a lot of the American work in the last ten or fifteen years" implies that Judd is specifically referring to a significant period of artistic development, during which he perceives a heightened level of intensity in American art. This could be seen as a recognition of the avant-garde movements and innovative approaches that emerged during that time, challenging traditional notions of art and pushing the boundaries of visual expression.

Judd's comparison between older painting and contemporary American work suggests an appreciation for the evolving dynamism and vibrancy in the latter. His emphasis on "intensity" may allude to the use of bold colors, powerful compositions, or provocative themes that characterize the art of that period. It also underscores his interest in art that demands immediate and profound engagement from the viewer, reflecting the ethos of the minimalist movement, which sought to strip away excess and create art with direct, visceral impact.

As a key figure in the minimalist art movement, Judd advocated for art that was characterized by simplicity, clarity, and presence. His own artistic practice and writings revolved around the idea of objectivity and the physical presence of art objects in space. Therefore, his remarks on the intensity of American work in the last decade or so may also be viewed through the lens of his minimalist sensibilities, where the visual impact and material presence of the artwork are of paramount importance.

In conclusion, Donald Judd's quote offers a glimpse into his perspective on the evolution of painting and the changing artistic landscape. It reflects his appreciation for the intense and impactful qualities found in the recent American art, while also acknowledging the immediate effect of older painting. By unpacking this quote, we gain insight into Judd's artistic values, his views on artistic progression, and the evolving nature of contemporary art.

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