Meaning: Donald Judd, an influential American artist, is known for his minimalist and geometric sculptures and installations. The quote "They certainly aren't connected with the old geometric art. My work isn't geometric in that sense" reflects Judd's perspective on his own artistic practice and its relationship to traditional geometric art forms. This statement is significant in understanding Judd's approach to art and the evolution of geometric art in the context of modern and contemporary art movements.

Judd's rejection of the association with "old geometric art" suggests a desire to distinguish his work from conventional understandings of geometric art. While geometric art historically refers to art forms characterized by precise mathematical shapes and patterns, Judd's work challenges this conventional understanding. His sculptures and installations, often composed of simple geometric shapes such as boxes and rectangular forms, transcend the traditional boundaries of geometric art by introducing a new dimension of spatial exploration and materiality.

In essence, Judd's work can be seen as a departure from the purely aesthetic and formal aspects of traditional geometric art, as he emphasizes the physical presence and interaction with the surrounding space. This departure is evident in his use of industrial materials such as steel, aluminum, and Plexiglas, which not only redefine the traditional notions of geometric art but also blur the lines between art and architecture.

Furthermore, Judd's statement sheds light on his conceptual approach to art. While his work may feature geometric forms, Judd's emphasis on the "sense" in which his work is not geometric suggests a deeper consideration of the philosophical and experiential aspects of his art. His sculptures are not merely static geometric objects; rather, they are dynamic entities that engage with the viewer's perception of space, light, and form. Judd's exploration of phenomenology and the viewer's experience aligns with the broader shifts in art towards conceptualism and minimalism during the mid-20th century.

Moreover, Judd's rejection of the association with "old geometric art" can be understood within the context of his desire to break away from the constraints of traditional art movements and establish his own artistic language. As a leading figure in the Minimalist movement, Judd sought to redefine the boundaries of art and challenge the prevailing notions of representation and expression. His emphasis on the physical presence of his works and their spatial relationship with the environment reflects a departure from the two-dimensional confines of traditional geometric art, marking a significant shift towards a more expansive and immersive artistic experience.

In conclusion, Donald Judd's quote encapsulates his innovative approach to geometric art and its evolution within the broader landscape of modern and contemporary art. By distancing himself from the "old geometric art" and redefining the parameters of geometric form, Judd's work transcends the traditional constraints of geometric art and paves the way for a new understanding of spatial, material, and experiential dimensions in art. His rejection of conventional geometric art aligns with his broader artistic vision, which continues to influence and inspire contemporary artists and audiences alike.