Meaning: This quote by Donald Judd, a prominent artist and art critic, is a comparison between two influential American artists, Stuart Davis and Edward Hopper. Judd's statement suggests that Davis' work is more representative of the essence of the United States than Hopper's, indicating the significance of Davis's art in capturing the spirit and culture of the country.

Stuart Davis (1892-1964) was a modernist painter known for his vibrant, abstract compositions that reflected the energy and dynamism of American urban life. His bold use of color, geometric shapes, and incorporation of popular culture elements such as advertising signs and jazz music distinguished his work and made him a prominent figure in the development of American modern art. Davis was deeply influenced by the urban environment of New York City and the burgeoning consumer culture of the early 20th century, and these themes are evident in his paintings.

In contrast, Edward Hopper (1882-1967) is renowned for his realist paintings that often depicted solitary figures in urban and rural settings, evoking a sense of isolation and introspection. Hopper's works, such as "Nighthawks" and "Early Sunday Morning," are characterized by their quiet, contemplative mood and a focus on the psychological aspects of the American experience. His portrayal of empty streets, diners, and buildings has become synonymous with a certain nostalgic and melancholic image of America.

Donald Judd's assertion that Davis has more to do with what the United States is like than Hopper reflects a recognition of the distinct ways in which these two artists captured elements of American life in their work. While Hopper's paintings evoke a certain mood and atmosphere that resonates with many viewers, Davis's art speaks directly to the vibrant, bustling, and diverse nature of American culture. Davis's bold, colorful compositions and incorporation of everyday imagery embody the energy and dynamism of urban America, reflecting the country's spirit of innovation, commerce, and cultural diversity.

Judd's statement also sheds light on the evolving nature of American art and the diverse ways in which artists have interpreted and represented the American experience. While Hopper's introspective realism captured a specific aspect of American life, Davis's vibrant, abstract compositions celebrated the vitality and diversity of the nation. Both artists made significant contributions to the visual representation of America, albeit in contrasting ways.

In conclusion, Donald Judd's comparison of Stuart Davis and Edward Hopper highlights the rich and multifaceted nature of American art, as well as the varied ways in which artists have depicted the essence of the United States. By emphasizing Davis's connection to the vibrancy and dynamism of American culture, Judd's quote underscores the enduring impact of Davis's art and its ability to capture the spirit of the nation in a unique and compelling manner.