Meaning: This quote is from Philip Kaufman, the acclaimed director known for his work on films such as "The Right Stuff," "The Unbearable Lightness of Being," and "The Wanderers." The quote provides insight into Kaufman's approach to filmmaking and his specific choices in shooting a particular movie. It sheds light on the director's decision to utilize close-up shots extensively in the film to convey the dual mystery present in the story.

In this quote, Kaufman explains that he used a lot of close-up shots in the movie because there are two intertwined mysteries at the core of the narrative. The first mystery revolves around the protagonist's personal journey as she delves into her own haunted past in search of truth. The second mystery is external, involving the protagonist's growing suspicion that she may be the killer herself.

Kaufman's decision to focus on close-up shots in the film can be seen as a deliberate strategy to intensify the emotional and psychological aspects of the story. Close-up shots allow the audience to closely observe the characters' facial expressions, reactions, and emotions, thereby creating a more intimate and immersive experience. By employing close-ups, Kaufman effectively draws the audience into the protagonist's internal struggles and the unfolding external mystery.

The use of close-up shots in cinema is a powerful tool for storytelling, as it enables filmmakers to convey a character's inner turmoil, conflicts, and revelations. It can also serve to build tension, create a sense of intimacy, and emphasize the emotional weight of pivotal moments in the narrative.

Kaufman's explanation of his approach to shooting the movie provides valuable insights into the thought process behind his directorial choices. By emphasizing the significance of close-ups in capturing the dual mystery within the story, Kaufman reveals his intention to immerse the audience in the protagonist's complex psychological journey and the unfolding external mystery.

Additionally, Kaufman's use of close-up shots may also reflect his desire to blur the lines between the protagonist's internal struggles and the external world, creating a sense of uncertainty and psychological tension for the audience. The extensive use of close-ups aligns with the film's thematic exploration of identity, truth, and the blurred boundaries between reality and perception.

In conclusion, Philip Kaufman's quote offers a compelling glimpse into his directorial approach and the specific choices he made in shooting a particular film. His emphasis on utilizing close-up shots to convey the dual mystery at the heart of the story highlights the significance of visual storytelling in capturing the emotional and psychological depth of the narrative. Kaufman's deliberate use of close-ups serves to intensify the audience's engagement with the protagonist's internal and external journey, ultimately enhancing the impact of the film's storytelling.