Meaning:
This quote by Thomas Keneally, an Australian novelist, reflects on the experiences of writers and the role that feeling like an outsider can play in their development. Keneally suggests that writers often have memories of being on the periphery, or "the outer," and that it is these experiences of feeling marginalized or different that can lead to powerful and impactful writing.
The quote begins with Keneally acknowledging the need to apologize, indicating a sense of regret or remorse. This may be interpreted as an expression of empathy towards other writers who have faced similar challenges. By acknowledging the commonality of such experiences, Keneally seeks to validate the feelings of isolation and exclusion that writers may have encountered.
Keneally then makes a poignant observation about the connection between being on the outer and the development of writers. He draws a parallel between the children on the side of the playground, who are often seen as outsiders, and the emergence of "dangerous writers." This comparison suggests that those who have felt marginalized or overlooked in their formative years have the potential to become powerful and influential writers. The term "dangerous" in this context may refer to the ability of such writers to challenge norms, question authority, and offer unique perspectives that can provoke thought and incite change.
The quote implies that the experiences of feeling like an outsider can fuel creativity and provide a distinct vantage point from which to observe and interpret the world. Writers who have grappled with feelings of exclusion may draw from these experiences to infuse their writing with depth, empathy, and a keen understanding of human nature. By tapping into their own sense of otherness, writers can offer insights and narratives that resonate with a wide range of readers, transcending boundaries of culture, language, and background.
Keneally's words also invite reflection on the broader societal dynamics that contribute to the formation of writers. The idea of the "children on the side of the playground" evokes images of social hierarchies and the ways in which individuals are categorized and marginalized based on perceived differences. By highlighting the impact of such experiences on writers, Keneally draws attention to the importance of inclusivity and the need to cultivate environments where diverse voices are valued and nurtured.
In a literary context, the quote speaks to the transformative power of personal experiences and the ways in which writers can channel their emotions and observations into compelling narratives. It underscores the notion that the most resonant and impactful writing often emerges from a place of authenticity and vulnerability. By acknowledging the significance of feeling like an outsider, Keneally celebrates the potential of writers to harness their unique perspectives and use their voices to challenge, inspire, and connect with others.
Overall, Thomas Keneally's quote offers a thought-provoking insight into the formative experiences of writers and the relationship between feeling like an outsider and the development of literary prowess. It encourages a deeper understanding of the complexities of creativity and the ways in which personal narratives can shape and enrich the literary landscape.