I think when kids just see well-crafted poetry, it's just obtuse to them. It's hard to relate to.

Profession: Musician

Topics: Poetry, Kids,

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Meaning: Jewel Kilcher, commonly known as Jewel, is an American musician, singer-songwriter, and poet who rose to fame in the mid-1990s. The quote "I think when kids just see well-crafted poetry, it's just obtuse to them. It's hard to relate to" reflects Jewel's perspective on the accessibility of poetry, especially for younger audiences.

One interpretation of this quote is that Jewel is suggesting that traditional or well-crafted poetry can be challenging for children to understand and connect with. The use of the term "obtuse" suggests that she believes the complexity of well-crafted poetry can be a barrier to young readers. Instead of being able to easily grasp the meaning and emotion behind the words, children may find themselves feeling disconnected or alienated from the content.

It's important to consider the context in which Jewel made this statement. As a musician and songwriter, she may be speaking from her own experiences in engaging with young audiences. In contrast to poetry, music often has a more immediate and visceral impact on listeners, with its combination of melody, rhythm, and lyrics. Jewel's background in music may have influenced her perspective on the accessibility of artistic expression for children.

In addition, the quote may also reflect a broader cultural sentiment regarding the perception of poetry. Traditional poetry, with its formal structures and complex language, has sometimes been viewed as esoteric or inaccessible, particularly for those who are not well-versed in literary analysis. For children who are still developing their language skills and emotional understanding, grappling with the nuances of poetry may indeed be challenging.

However, it's important to note that Jewel's quote does not dismiss the value of poetry itself. Rather, it suggests that the presentation and delivery of poetry may need to be tailored to better resonate with younger audiences. By acknowledging the potential disconnect between children and well-crafted poetry, there is an opportunity to explore new approaches to make poetry more engaging and relatable for young readers.

One way to address this challenge is through the creation and promotion of contemporary poetry that speaks to the experiences and emotions of children. By incorporating themes and language that are relevant to young audiences, poets and educators can help bridge the gap between traditional poetry and the interests of children. Additionally, interactive and multimedia formats, such as poetry slams, spoken word performances, and digital platforms, can provide alternative avenues for children to engage with poetry in ways that feel more immediate and accessible.

Furthermore, integrating poetry into educational curricula and fostering a supportive environment for creative expression can also play a crucial role in nurturing children's appreciation for poetry. By providing opportunities for students to write and share their own poetry, as well as exposing them to a diverse range of poetic voices and styles, educators can help cultivate a deeper connection to the art form.

In conclusion, Jewel Kilcher's quote about the accessibility of well-crafted poetry for children raises important considerations about the presentation and relevance of poetry to young audiences. While traditional poetry may pose challenges for children in its current form, there are opportunities to reimagine and revitalize the ways in which poetry is created and shared with younger generations. By embracing creativity, inclusivity, and innovation, we can work towards making poetry a more relatable and enriching experience for children.

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